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Shweshwe (/ ˈ ʃ w ɛ ʃ w ɛ /) [1] is a printed dyed cotton fabric widely used for traditional Southern African clothing. [ 2 ] [ 3 ] Originally dyed indigo , the fabric is manufactured in a variety of colours and printing designs characterised by intricate geometric patterns.
They are made of wool or fine "short" animal hair including dried skin for integrity. [1] Some fragments have also survived from the thirteenth century Benin City in Nigeria . [ 2 ] Historically textiles were used as a form of currency since the fourteenth century in West Africa and Central Africa. [ 3 ]
A typical kitenge pattern. Customers and visitors at a display of African kitenge clothes. A kitenge or chitenge (pl. vitenge Swahili; zitenge in Tonga) is an East African, West African and Central African piece of fabric similar to a sarong, often worn by women and wrapped around the chest or waist, over the head as a headscarf, or as a baby sling.
A woman in Kenya wearing kanga. African clothing is the traditional clothing worn by the people of Africa.. African clothing and fashion is a diverse topic that provides a look into different African cultures.
These fabrics are produced for mass consumption and stand for ephemerality and caducity. Fancy Fabrics are more intense and rich in colours than wax prints and are printed on only one side. As for wax prints, producer, product name and registration number of the design are printed on the selvage. Even the fancy fabrics vary with a certain fashion.
A crane bird is generally a symbol of longevity, [2] [1] [18] immortality and wisdom. [17] [32] They can also express wishes of becoming a higher official. [30] Motif of crane with a peach of immortality in its beaks, crane with lingzhi in its beak, [30] crane paired with bottle gourds are all symbols of longevity. [31]
The Craft of Zeus: Myths of Weaving and Fabric. Cambridge: Harvard University Press. ISBN 0-674-17549-2; Weigle, Marta (2007, 1982). Spiders and Spinsters: Women and Mythology. Santa Fe: Sunstone Press. ISBN 978-0-86534-587-4; Volkmann, Helga (2008). Purpurfäden und Zauberschiffchen: Spinnen und Weben in Märchen und Mythen. Göttingen ...
In France, the pashmina Kashmir shawl gained status as a fashion icon through Empress Joséphine de Beauharnais' enthusiastic use. [17] These shawls suited the French well, providing the needed warmth, while adding visual interest to white French gowns through the traditional teardrop buta pattern and discreet floral motifs. [ 17 ]