Search results
Results from the WOW.Com Content Network
The music video for "Ram Pam Pam" was directed by Venezuelan director Daniel Duran, Gomez's constant collaborator, and was filmed using a green screen. It was released alongside the song on April 20. Similar to "Sin Pijama", the video includes a cameo appearance by American singer Prince Royce .
She went on to utilize the term "rampampam" in the lyrics, which is used to compare being hurt by a lover to shooting a gun. [5] [14] Overall, the track discusses a toxic relationship that ends in revenge. Minelli further stated about the song's meaning and her collaboration with Viky Red: "I think ["Rampampam"] brings a dose of courage and ...
The single version of "Tijuana Taxi" features more of the bicycle-horn sound effects than does the album version. "Tijuana Taxi" and "Spanish Flea" were included as part of the "Carmen" medley on the Herb Alpert's Ninth album. The B-side of the "Taxi" single, "Zorba the Greek", was edited for length and was augmented by live-concert sound effects.
The Badianus Manuscript (Codex Barberini Latin 241): An Aztec Herbal of 1552: Emily Walcott Emmart: The Johns Hopkins Press 1952: Spanish: Libellus de Medicinalibus Indorum Herbis: El manuscrito pictórico mexicano-latino de Martín de la Cruz y Juan Badiano de 1552: Francisco Guerra: Editorial Vargas Rea y El Diario Español 1964, 1991: Spanish
Spanish styles of music (6 C, 7 P) U. Uruguayan styles of music (3 C, 5 P) V. Music of Venezuela (14 C, 25 P) Pages in category "Spanish-language music"
De colores" ([Made] of Colors) is a traditional Spanish language folk song that is well known throughout the Spanish-speaking world. [1] It is widely used in the Catholic Cursillo movement and related communities such as the Great Banquet, Chrysalis Flight, Tres Días , Walk to Emmaus , and Kairos Prison Ministry .
The Music of Andalusia encompasses a range of traditional and modern musical genres which originate in the region of Andalusia in southern Spain. The most famous are copla and flamenco , the latter being sometimes used as a portmanteau term for various regional musical traditions within Andalusia.
The following year-end charts were elaborated by Mejía Barquera, based on weekly charts that were published on the magazine Selecciones musicales as compiled on Roberto Ayala's 1962 book "Musicosas: manual del comentarista de radio y televisión"; those charts were, according to Ayala, based on record sales, jukebox plays, radio and television airplay, and sheet music sales [a]. [6]