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On 19 December 2006, Depeche Mode's back catalogue was released on the iTunes Store as The Complete Depeche Mode. On 3 December 2009, Sounds of the Universe was nominated for a Grammy Award for Best Alternative Album. They received a second nomination for the video "Wrong": for Best Short Form Music Video at the 52nd Annual Grammy Awards.
It should only contain pages that are Depeche Mode songs or lists of Depeche Mode songs, as well as subcategories containing those things (themselves set categories). Topics about Depeche Mode songs in general should be placed in relevant topic categories .
The first Depeche Mode album of the new millennium felt quieter and more restrained, despite what a title like Exciter may imply. The album’s muted sonic palette reflects the influence of the ...
Depeche Mode have had 54 songs in the UK Singles Chart, 17 Top 10 albums in the UK chart, and have sold more than 100 million records worldwide. [2] [3] Q included the band in its list of the "50 Bands That Changed the World!" [4] Depeche Mode also rank No. 98 on VH1's "100 Greatest Artists of All Time."
This list is incomplete; you can help by adding missing items. ( February 2011 ) The following is a list of notable artists that have recorded and officially released renderings of songs originally written by Depeche Mode .
The US only had a digital release (i.e., iTunes). The song reached number 15 upon UK release. In the US, the song debuted at number 45 on the Hot Dance Music/Club Play chart on 14 January 2006. It eventually reached number 6. The track is one of the few Depeche Mode songs to feature a real bass, which is played by Andy Fletcher. [citation needed]
"Useless" is a song by English electronic music group Depeche Mode, released on 20 October 1997 as the fourth and final single from their ninth studio album, Ultra (1997). It was released with " Home " as a double A-side in the United States due to "Useless" getting airplay on US radio stations before "Home" was announced.
Songs of Faith and Devotion was recorded over eight months in a rented villa in Madrid during 1992, as well as later sessions in Hamburg and London. [7] Following his work on U2's seventh studio album, Achtung Baby, producer Flood suggested the idea of building their own studio in a rented house where the band would live and work, the same process having yielded huge successes for U2.