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A (E major) → B (C major) → A (F major) → C (D minor) → A (E major) Schubert also composes brief transitions at the ends of each episode—that between the B section and the medial A section features a small amount of the B section's material in F major (the medial A section's key), while that between the C section and the final A ...
Twenty-four extant sonatas and sonata fragments are listed in the 1978 version of the Deutsch catalogue: D 154, Piano Sonata in E major (1815, fragment; similarity with the first movement of the Piano Sonata in E major, D 157) I. Allegro (fragment) D 157, Piano Sonata in E major (1815, unfinished – first three movements are extant)
German Dance in an unknown key Deutscher 1 March 1828 lost 946 Three piano pieces: Drei Klavierstücke ♫ May 1828 1. Allegro assai in E-flat minor 2. Allegretto in E-flat major 3. Allegro in C major 958 Sonata in C minor: Sonate in c ♫ September 1828 13 19 I. Allegro II. Adagio III. Menuetto. Allegro – Trio IV. Allegro 959 Sonata in A major
Legend to the table column content 1 D '51 Deutsch number in the first version of the Deutsch catalogue (1951) [2]: 2 D utd most recent (utd = up to date) Deutsch catalogue number; [3] the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the ...
The compositions for violin and piano D 384, 385 and 408 were named Sonata in Schubert's autographs. [ 5 ] [ 6 ] They were named Sonatina when published posthumously as Op. 137 in 1836. [ 7 ] Since these works are modest in size—rather to be compared to Mozart's violin sonatas than to Beethoven's —the "Sonatina" diminutive stuck to them.
The Piano Sonata in E minor D 566 by Franz Schubert is a sonata for solo piano written in June 1817. The original manuscript appeared to lack a finale. [ 1 ] Ludwig Scheibler (1848-1921) was the first to suggest in 1905 that the Rondo in E, D.506 might be that movement. [ 2 ]
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in the C minor Sonata, certain passages in the first two movements resemble parallel passages from Beethoven's Piano Sonata No. 8, Op. 13 (the Pathétique), written in the same key. [75] in the A major Sonata, bars 200–206 from the end of the development section in the finale recall bars 51–55 from the first movement of Beethoven's Piano ...