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J. R. R. Tolkien's design for his son Christopher's contour map on graph paper with handwritten annotations, of parts of Gondor and Mordor and the route taken by the Hobbits with the One Ring, and dates along that route, for an enlarged map in The Return of the King [5] Detail of finished contour map by Christopher Tolkien, drawn from his father's graph paper design.
The Atlas of Middle-earth provides many detailed maps of the lands described in Tolkien's books. The maps are treated as if they are of real landscapes, drawn according to the rules of a real atlas. For each area the history of the land is taken into account, as well as geography on a larger scale; from there maps are drawn. [7]
J. R. R. Tolkien accompanied his Middle-earth fantasy writings with a wide variety of non-narrative materials, including paintings and drawings, calligraphy, and maps.In his lifetime, some of his artworks were included in his novels The Hobbit and The Lord of the Rings; others were used on the covers of different editions of these books, and later on the cover of The Silmarillion.
The Tolkien scholar Tom Shippey notes that in The Hobbit, the lonely mountain is a symbol of adventure, and the "true end" of the story is the moment when Bilbo looks back from a high pass and sees "There far away was the Lonely Mountain on the edge of eyesight. On its highest peak snow yet unmelted was gleaming pale.
The following outline is provided as an overview of and topical guide to the real-world history and notable fictional elements of J. R. R. Tolkien's fantasy universe.It covers materials created by Tolkien; the works on his unpublished manuscripts, by his son Christopher Tolkien; and films, games and other media created by other people.
The rest is history. Tolkien went on to create his first novel "The Hobbit" published in 1937. Almost twenty years later, the sequel "The Lord of the Rings" followed in three volumes, in 1954 and ...
The Tolkien scholar Tom Shippey comments that "the themes of the Escape from Death, and the Escape from Deathlessness, are vital parts of Tolkien's entire mythology." [8] In a 1968 BBC television broadcast, Tolkien quoted French philosopher Simone de Beauvoir and described the inevitability of death as the "key-spring of The Lord of the Rings ...
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