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Nevertheless, all songs and dances included in this series are based on folk music from many Eastern Europe countries, but harmonic and rhythmic freedom is evident throughout the whole piece. In 1936, Bartók arranged 6 of these duos for piano, under the title Petite Suite .
An example of a clarinet–viola–piano trio existed several hundred years before the clarinet–violin–piano trio; Mozart composed the Kegelstatt Trio in the 18th century, and the Romantic composer Max Bruch composed a suite of eight pieces for this combination, as well as a double concerto for viola, clarinet, and orchestra. Many of these ...
Steve Reich: Duet for 2 Violins and string ensemble (1994) Osmo Tapio Räihälä : A Sensuous Encounter in the Eastern Garden , for two solo violins and orchestra (2023) Pablo de Sarasate : Navarra , Duo in A major for 2 violins and orchestra (or piano), Op. 33 (1889.)
A clarinet trio is a chamber ensemble that consists of a clarinet, a bowed string instrument and a piano, or a musical work for such an ensemble. The string instrument can be a cello, a viola, or a violin. Therefore, a clarinet trio can be referred to below: Clarinet–cello–piano trio; Clarinet–viola–piano trio; Clarinet–violin–piano ...
First page of the autograph manuscript of the Kegelstatt Trio for clarinet, viola and piano by Mozart. A clarinet–viola–piano trio, often titled "Trio for Clarinet, Viola and Piano" is a work of chamber music that is scored for clarinet, viola, and piano; or is the designation for a musical ensemble of a group of three musicians playing these instruments.
Due to this unusual scoring, the piece is sometimes adapted to fit other types of trios; e.g. a clarinet–violin–piano trio, a violin–cello–piano trio, a clarinet–cello–piano trio, or a violin–viola–piano trio, as in that first publication by Artaria. [7] No composer before Mozart had written for this combination of instruments. [4]
The Concerto for Clarinet, Viola, and Orchestra in E minor, Op. 88, is a composition by Max Bruch which was composed in 1911. It premiered on 5 March 1912 in Wilhelmshaven by the piece's dedicatees, violist Willy Hess and the composer's son and clarinet soloist, Max Felix Bruch. [ 1 ]
D 1C, Sonata in F major for piano duet (1810 or 1811, fragment of the first movement is extant) D 9, Fantasy in G minor for piano duet (1811) D 48, Fantasy in C minor for piano duet, Grande Sonate (1813, 2 versions) D 608, Rondo in D major for piano duet, Notre amitié est invariable (1818, 2 versions; 2nd version first published as Op. posth. 138)