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The conservation and restoration of lacquerware prevents and mitigates deterioration or damage to objects made with lacquer. The two main types of lacquer are Asian, made with sap from the Urushi tree, and European, made with a variety of shellac and natural resins. Lacquer can be damaged by age, light, water, temperature, or damaged substrate.
Furniture conservation and restoration can be divided into two general areas: structure and finish. Structure generally relates to wood and can be divided into solid, joined, and veneered wood. The finish of furniture can be painted or transparent. [1] Furniture has existed throughout all the years of human existence.
Lacquer is applied to a surface that has been cleaned with ethanol, acetone, or methyl ethyl ketone. Oils from human hands prevent the lacquer from adhering to the silver. Agateen No. 27 (cellulose nitrate) and Paraloid B-72 are the most commonly used lacquers however there is a debate which lacquer, cellulose nitrate or acrylic, is best. [10]
Choosing a clear finish for wood involves trade-offs between appearance, protection, durability, safety, requirements for cleaning, and ease of application. The following table compares the characteristics of different clear finishes. 'Rubbing qualities' indicates the ease with which a finish can be manipulated to deliver the finish desired.
Lacquerware collection, China, Qing dynasty Lacquerware are objects decoratively covered with lacquer.Lacquerware includes small or large containers, tableware, a variety of small objects carried by people, and larger objects such as furniture and even coffins painted with lacquer.
French polishing a table. French polishing is a wood finishing technique that results in a very high gloss surface, with a deep colour and chatoyancy.French polishing consists of applying many thin coats of shellac dissolved in denatured alcohol using a rubbing pad lubricated with one of a variety of oils.
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Lacquerware is a longstanding tradition in Japan [6] [7] and, at some point, kintsugi may have been combined with maki-e as a replacement for other ceramic repair techniques. . While the process is associated with Japanese craftsmen, the technique was also applied to ceramic pieces of other origins including China, Vietnam, and Kor
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