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A wonton font (also known as Chinese, chopstick, chop suey, [1] or kung-fu) is a mimicry typeface with a visual style intended to express an East Asian, or more specifically, Chinese typographic sense of aestheticism. Styled to mimic the brush strokes used in Chinese characters, wonton fonts often convey a sense of Orientalism. In modern times ...
In metal typesetting, a font (American English) or fount (Commonwealth English) is a particular size, weight and style of a typeface, defined as the set of fonts that share an overall design. For instance, the typeface Bauer Bodoni (shown in the figure) includes fonts " Roman " (or "regular"), " bold " and " italic "; each of these exists in a ...
The size of the type was determined by the size of the character on the face of the sort. A compositor would need to physically swap out the sorts for a different size to change the font size. During typesetting, individual sorts are picked from a type case with the right hand, and set from left to right into a composing stick held in the left ...
The art of designing fonts for a specific size is known as optical sizing. Others will be offered in only one style, but optimised for a specific size. Optical sizes are particularly common for serif fonts, since the fine detail of serif fonts can need to be bulked up for smaller sizes. [19] [20] [21]
Matthew Carter has cited his 1966 Snell Roundhand typeface as deliberately designed to replicate a style of calligraphy hard to simulate in metal. [10] [11] An additional development enabling more sophisticated script fonts has been the release of the OpenType format, which most fonts are now released in.
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Cascading Style Sheets (CSS) defined by the World Wide Web Consortium use pc as the abbreviation for pica (1 ⁄ 6 of an inch), and pt for point (1 ⁄ 72 of an inch). [3] The pica is also used in measuring the font capacity and is applied in the process of copyfitting. [4] The font length is measured there by the number of characters per pica ...
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