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In the case of an image of a saint, the worship would not be latria but rather dulia, while the Blessed Virgin Mary receives hyperdulia. The worship of whatever type, latria, hyperdulia, or dulia, can be considered to go through the icon, image, or statue: "The honor given to an image reaches to the prototype" (St. John Damascene in Summa ³).
The letter does note the two paintings depict "sermons"; the Galleria Borghese has owned two paintings depicting sermons—the Saint John the Baptist Preaching and Saint Anthony Preaching to the Fish, both by Veronese—for quite some time. [1] An account from a framer dated 25 July 1612 confirms the painting was located in Rome no later than 1612.
Iconography found in Christian art; individual works should only be added if their iconography is complex, and covered at some length in the article on them. See also Category:Christian symbols Contents
The brilliant white of Christ's robes, the golden-yellow of his halo, and the bright blue of the sky behind him all serve to emphasize the ethereal nature of the event. Similarly, Byzantine art favored a flattened, hieratic style of perspective that emphasized the spiritual significance of the figures depicted.
The sermon comprises an elaborate allegory: borrowing from the familiar legend of his namesake Saint Anthony's preaching to the fish (commonly cited in his hagiography), Vieira uses the different kinds of fish as metaphors for men, drawing direct parallels between the dynamics between big and little fish and those between colonists and the Indians.
Miraculous catch of 153 fish fresco in the Spoleto Cathedral, Italy (second miracle) According to John 21:11 Simon Peter went up, and drew the net to land full of great fishes, an hundred and fifty and three: and for all there were so many, yet was not the net broken. This has become known popularly as the "153 fish" miracle.
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According to Christian legend, the image of Edessa, (known to the Eastern Orthodox Church as the Mandylion, a Medieval Greek word not applied in any other context), was a holy relic consisting of a square or rectangle of cloth upon which a miraculous image of the face of Jesus was imprinted—the first icon ("image").
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