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Only 88 compositions by the German composer Richard Strauss (1864–1949) have been assigned opus numbers; these numbers are shown in the table below in the column "Op."." Two volumes of a catalogue of the remaining works were published by Erich Hermann Mueller von Asow (1892–1964) in 1959
In 1885 Strauss met the composer Alexander Ritter who was a violinist in the Meiningen orchestra and the husband of one of Richard Wagner's nieces. An avid champion of the ideals of Wagner and Franz Liszt, Ritter had a tremendous impact on the trajectory of Strauss's work as a composer from 1885 onward.
The German composer Richard Strauss (1864–1949) was prolific and long-lived, writing 16 operas from 1892 up until his death in 1949. Strauss "emerged soon after the deaths of Wagner and Brahms as the most important living German composer", [1] and was crucial in inaugurating the musical style of Modernism.
Salome, Op. 54, is an opera in one act by Richard Strauss. The libretto is Hedwig Lachmann's German translation of the 1891 French play Salomé by Oscar Wilde, edited by the composer. Strauss dedicated the opera to his friend Sir Edgar Speyer. [1] The opera is famous (at the time of its premiere, infamous) for its "Dance of the Seven Veils".
At the age of 18 whilst a philosophy student at Munich University, having recently completed his Violin Concerto and Cello Sonata, Strauss wrote his first horn concerto.. His father Franz Strauss was one of the leading horn players of his day, and the fact that Richard grew up with the sound of the horn in his house led to his exploration of the great potential of the horn as both a solo and ...
Richard Strauss: An Owner's Manual. Milwaukee: Amadeus Press, ISBN 978-1-57467-442-2. Jackson, Timothy l. (1992). "The Metamorphosis of the Metamorphosen: New Analytical and Source-Critical Discoveries", in Gilliam, Bryan (ed.) Richard Strauss: New Perspectives on the Composer and His Work. Duke University Press, pp. 193–242. ISBN 978-0-8223 ...
Richard Strauss in 1888. The tone poems of Richard Strauss are noted as the high point of program music in the latter part of the 19th century, extending its boundaries and taking the concept of realism in music to an unprecedented level. In these works, he widened the expressive range of music while depicting subjects many times thought ...
1911 Der Rosenkavalier (Strauss). Strauss and Hofmannsthal's most popular work, this comedy is set in 18th century Vienna. [169] 1911 L'heure espagnole (Maurice Ravel). Ravel's first opera is a bedroom farce set in Spain. [170] 1912 Ariadne auf Naxos (Strauss). A mixture of comedy and tragedy with an opera within an opera. [171]
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