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Ambiguous images or reversible figures are visual forms that create ambiguity by exploiting graphical similarities and other properties of visual system interpretation between two or more distinct image forms. These are famous for inducing the phenomenon of multistable perception.
The Necker cube is an optical illusion that was first published as a rhomboid in 1832 by Swiss crystallographer Louis Albert Necker. [1] It is a simple wire-frame, two dimensional drawing of a cube with no visual cues as to its orientation, so it can be interpreted to have either the lower-left or the upper-right square as its front side.
Optical illusion is also used in film by the technique of forced perspective. Op art is a style of art that uses optical illusions to create an impression of movement, or hidden images and patterns. Trompe-l'œil uses realistic imagery to create the optical illusion that depicted objects exist in three dimensions.
In studying geometry one concentrates on the position of points and on the length, orientation and curvature of lines. Geometrical–optical illusions then relate in the first instance to object characteristics as defined by geometry. Though vision is three-dimensional, in many situations depth can be factored out and attention concentrated on ...
Multistable perception (or bistable perception) is a perceptual phenomenon in which an observer experiences an unpredictable sequence of spontaneous subjective changes. While usually associated with visual perception (a form of optical illusion), multistable perception can also be experienced with auditory and olfactory percepts.
Ames window. The Ames trapezoid or Ames window is an image on, for example, a flat piece of cardboard that seems to be a rectangular window but is, in fact, a trapezoid. Both sides of the piece of cardboard have the same image. The cardboard is hung vertically from a wire so it can rotate around continuously, or is attached to a vertical ...
All the shafts of the arrows are of the same physical length. The Müller-Lyer illusion is an optical illusion consisting of three stylized arrows. When viewers are asked to place a mark on the figure at the midpoint, they tend to place it more towards the "tail" end. The illusion was devised by Franz Carl Müller-Lyer (1857–1916), a German ...
The grey background is more ambiguous than the high contrast background. Lotto and Purves (2001) demonstrated that the Chubb illusion can be explained "by the degree to which imperfect transmittance is likely to have affected the light that reaches the eye." Indeed, these observations suggest a wholly empirical explanation of the Chubb illusion.