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Tatian. Tatian of Adiabene, [1] or Tatian the Syrian[2][3][4] or Tatian the Assyrian, [5][6][7][8] (/ ˈteɪʃən, - iən /; Latin: Tatianus; Ancient Greek: Τατιανός; Classical Syriac: ܛܛܝܢܘܣ; c. 120 – c. 180 AD) was an Assyrian Christian writer and theologian of the 2nd century. Tatian's most influential work is the Diatessaron ...
The Diatessaron (Syriac: ܐܘܢܓܠܝܘܢ ܕܡܚܠܛܐ, romanized: Ewangeliyôn Damhalltê; c. 160–175 AD) is the most prominent early gospel harmony. It was created in the Syriac language by Tatian, an Assyrian early Christian apologist and ascetic. [1] Tatian sought to combine all the textual material he found in the four gospels - Matthew ...
178 cm × 205 cm (70 in × 81 in) Location. Isabella Stewart Gardner Museum, Boston. The Rape of Europa is a painting by the Venetian artist Titian, painted ca. 1560–1562. It is in the permanent collection of the Isabella Stewart Gardner Museum of Boston, Massachusetts. The oil-on-canvas painting measures 178 by 205 centimetres (70 in × 81 in).
Bacchus and Ariadne (1522–1523) [1] is an oil painting by Titian. It is one of a cycle of paintings on mythological subjects produced for Alfonso I d'Este, Duke of Ferrara, for the Camerino d'Alabastro – a private room in his palazzo in Ferrara decorated with paintings based on classical texts. An advance payment was given to Raphael, who ...
t. e. In ancient Greek religion and mythology, Helios (/ ˈhiːliəs, - ɒs /; Ancient Greek: Ἥλιος pronounced [hɛ̌ːlios], lit. 'Sun'; Homeric Greek: Ἠέλιος) is the god who personifies the Sun. His name is also Latinized as Helius, and he is often given the epithets Hyperion ("the one above") and Phaethon ("the shining").
The Assumption of the Virgin or Frari Assumption, popularly known as the Assunta, [1] is a large altarpiece panel painting in oils by the Italian Renaissance artist Titian, painted in 1515–1518. It remains in the position it was designed for, on the high altar of the Basilica di Santa Maria Gloriosa dei Frari or Frari church in Venice.
La Gloria. La Gloria is a painting by Titian, commissioned by Charles V in 1550 or 1551 and completed in 1554. It was first given this title by José Sigüenza in 1601 — it is also known as The Trinity, The Final Judgement, Paradise, and Adoration of the Trinity.
Annunciation. The Annunciation is a painting by the Italian Renaissance master Titian, executed between 1559 and 1564. It remains in the church of San Salvador in Venice, for which it was commissioned. Originally three paintings were commissioned by the D'Anna family for their chapels in the church of San Salvador in Venice, northern Italy. [1]