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Crucifixions and crucifixes have appeared in the arts and popular culture from before the era of the pagan Roman Empire.The crucifixion of Jesus has been depicted in a wide range of religious art since the 4th century CE, frequently including the appearance of mournful onlookers such as the Virgin Mary, Pontius Pilate, and angels, as well as antisemitic depictions portraying Jews as ...
Gentile da Fabriano, c. 1400–1410. Stabat Mater (Latin for "the mother was standing") is a compositional form in the crucifixion of Jesus in art depicting the Virgin Mary under the cross during the crucifixion of Christ alongside John the apostle. Rood cross group, Church of St Mary, Gdansk. It is common in groups of sculpture on a rood ...
Adoration of the Trinity. Albani Torlonia Polyptych. The Allegory of Faith. Altarpiece of Saint Barbara (Pérez) Altarpiece of the Saints John. Calvary (Amstel) Calvary (Antonello da Messina) Crucifixion (Antonello da Messina) Apocalypse in Lilac, Capriccio.
The crucifixion of Jesus is one of the most illustrated events in human history.. For centuries, artists have reimagined it as a form of remembrance and as a means to convey the story of brutality ...
Each 56.5 cm × 19.7 cm (22.25 in × 7.75 in); Metropolitan Museum of Art, New York. The Crucifixion and Last Judgement diptych (or Diptych with Calvary and Last Judgement) [1] consists of two small painted panels attributed to the Early Netherlandish artist Jan van Eyck, with areas finished by unidentified followers or members of his workshop.
On loan from the Society of Jesus, Leeson Street., Dublin. The Taking of Christ (Italian: Presa di Cristo nell'orto or Cattura di Cristo) is a painting, of the arrest of Jesus, by the Italian Baroque master Michelangelo Merisi da Caravaggio. Originally commissioned by the Roman nobleman Ciriaco Mattei in 1602, it is housed in the National ...
The crucifixion of Jesus was the death of Jesus by being nailed to a wooden cross. It occurred in 1st-century Judaea, most likely in AD 30 or AD 33. It is described in the four canonical gospels, referred to in the New Testament epistles, and later attested to by other ancient sources.
The raising of the Cross or elevation of the Cross has been a distinct subject in the Life of Christ in art depicting the start of the Crucifixion of Jesus. [1] The subject became popular in the sixteenth and seventeenth centuries, with artists such as Tintoretto, van Dyck, and Rubens among the first to produce significant works with the subject.