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Cē Ācatl Topiltzin Quetzalcōātl [seː ˈaːkat͡ɬ toˈpilt͡sin ket͡salˈkoːʷaːt͡ɬ] (Our Prince One-Reed Precious Serpent) (c. 895–947) is a mythologised figure appearing in 16th-century accounts of Nahua historical traditions, [5] where he is identified as a ruler in the 10th century of the Toltecs— by Aztec tradition their predecessors who had political control of the Valley ...
Austin (et al.) goes into detail explaining the mythical significance of the Quetzalcoatl’s headdress for which the following interpretation is based: the Quetzalcoatl was regarded as the “extractor-bearer” of the forces of time and is being depicted as “transporting time-destiny in the abstract to the surface of the earth”. [12]
The name Quetzalcoatl comes from Nahuatl and means "Precious serpent" or "Quetzal-feathered Serpent". [15] In the 17th century, Ixtlilxóchitl, a descendant of Aztec royalty and historian of the Nahua people, wrote, "Quetzalcoatl, in its literal sense, means 'serpent of precious feathers' but in the allegorical sense, 'wisest of men'."
The Aztec feathered serpent deity known as Quetzalcoatl is known from several Aztec codices, such as the Florentine codex, as well as from the records of the Spanish conquistadors. Quetzalcoatl was known as the deity of wind and rain, bringer of knowledge, the inventor of books, and associated with the planet Venus.
Mexican mask-folk art refers to the making and use of masks for various traditional dances and ceremony in Mexico. Evidence of mask making in the region extends for thousands of years and was a well-established part of ritual life in the pre-Hispanic territories that are now Mexico well before the Spanish conquest of the Aztec Empire occurred.
Statue of Ehecatl-Quetzalcoatl, in the Brooklyn Museum (New York City) Since the wind blows in all directions, Ehecatl was associated with all the cardinal directions . His temple was built as a cylinder in order to reduce the air resistance, and was sometimes portrayed with two protruding masks through which the wind blew.
Quetzalcoatl became the ruler of the subsequent creation "Sun of Water", and Tezcatlipoca destroyed the third creation "The Sun of Wind" by striking down Quetzalcoatl. In later myths, the four gods who created the world, Tezcatlipoca, Quetzalcoatl, Huitzilopochtli and Xipe Totec were referred to respectively as the Black, the White, the Blue ...
Iroquois oral history tells the beginning of the False Face tradition. According to the accounts, the Creator Shöñgwaia'dihsum ('our creator' in Onondaga), blessed with healing powers in response to his love of living things, encountered a stranger, referred to in Onondaga as Ethiso:da' ('our grandfather') or Hado'ih (IPA:), and challenged him in a competition to see who could move a mountain.