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In barrier-grid animation, several images are cut into strips and interleaved. The barrier grid allows the strips from one of the interleaved images to be seen at a time. Movement of the grid relative to the interleaved image causes the viewer to see each of the images in succession.
Bias tape or bias binding is a narrow strip of fabric, typically plain weave, cut on the bias. As the weave of fabric is at a 45-degree angle, the resulting fabric strip is stretchier than a strip cut on the grain. The strip also has a better drape, and conforms to curves better than fabric cut on the grain. [1]
The video for Röyksopp's Eple (2003), features a specific kind of cutout animation, continuously zooming out and panning through many old (still) pictures that are seamlessly combined. The technique is a variation of the Ken Burns effect , which has often been used in documentary films to add motion to still imagery, but rarely as a standalone ...
The "bias-cut" is a technique used by designers for cutting clothing to utilize the greater stretch in the bias or diagonal direction of the fabric, thereby causing it to accentuate body lines and curves and drape softly. For example, a full-skirted dress cut on the bias will hang more gracefully or a narrow dress will cling to the figure.
In a Hong Kong finish, a bias strip of fabric is cut to the width of the seam allowance plus 1 ⁄ 4 inch (0.6 cm). The bias strip is placed on top of the seam allowance, right sides together, and stitched 1 ⁄ 8 inch (0.3 cm) from raw edges. The bias strip is then folded over the raw edge and around to the underside and stitched in place.
bias tape Bias tape or bias binding is a narrow strip of fabric, cut on the bias. The strip's fibers, being at 45 degrees to the length of the strip, makes it stretchier as well as more fluid and more drapeable compared to a strip that is cut on grain. Many strips can be pieced together into a long "tape."
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There are several methods to create this texture. One common approach is to produce a fabric first and then cut it into narrow strips resembling yarn. When the fabric is cut, the raw edges become fuzzy, creating the chenille appearance. Alternatively, chenille can be made by trimming a loosely attached effect fiber to achieve the fuzzy texture.