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Chapter 7 is pivotal to the larger structure of the entire book, acting as a bridge between the tales of chapters 1–6 and the visions of 7–12. The use of Aramaic and its place in the chiasm link it to the first half, while the use of Daniel as first-person narrator and its emphasis on visions link it to the second.
The symbolism of four metals in the statue in chapter 2 is drawn from Persian writings, [2] while the four "beasts from the sea" in chapter 7 reflect Hosea 13:7–8, in which God threatens that he will be to Israel like a lion, a leopard, a bear or a wild beast. [3]
In chapter 28, Ezekiel taunts the king of Tyre, asking rhetorically, "art thou wiser than Daniel?" [4] The author of the Book of Daniel appears to have taken this legendary figure, renowned for his wisdom, to serve as his central human character. [10] The Book of Ezra (8:2) mentions a priest named Daniel who went from Babylon to Jerusalem with ...
An interesting feature of the book is that the accounts of chapters 2–6 and the visions in chapter 7 are in Aramaic (after the first few lines of chapter 2 in Hebrew). However, the visions of chapters 8–12 are in Hebrew, as is the introduction, chapter 1. [11]
The crisis which the author of Daniel addresses is the defilement of the altar in Jerusalem in 167 BC (first introduced in chapter 8:11): the daily offering which used to take place twice a day, at morning and evening, stopped, and the phrase "evenings and mornings" recurs through the following chapters as a reminder of the missed sacrifices. [31]
Susanna and the Elders by Artemisia Gentileschi. Susanna (/ s u ˈ z æ n ə /; Hebrew: שׁוֹשַׁנָּה, Modern: Šōšanna, Tiberian: Šōšannā: "lily"), also called Susanna and the Elders, is a narrative included in the Book of Daniel (as chapter 13) by the Catholic Church, Oriental Orthodox Churches and Eastern Orthodox Churches.
When surrounding Christ, the figure of the man usually appears at top left—above Christ's right hand, with the lion above Christ's left arm. Underneath the man is the ox and underneath the lion is the eagle. This both reflects the medieval idea of the order of "nobility" of nature of the beasts (man, lion, ox, eagle) and the text of Ezekiel 1:10.
The front sleeve of the 1981 album From the Lions Mouth by The Sound is the painting Daniel in the Lion’s Den by Briton Riviere. The 1982 song "Daniel" by Raffi on his Rise and Shine album. The 1982 song "Lion's Den" by Bruce Springsteen, first released on the 1998 album Tracks, alludes to the story.