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This system is more abstract one than the previous one. It does not refer to how an individual work shapes space but how it is conventionally done by a given epoch, genre, etc. So, for instance, one of the main features of Gothic novels are elements of the supernatural and the sublime, [8] therefore, texts are full of ghosts, vampires and so on ...
Geocriticism frequently involves the study of places described in the literature by various authors, but it can also study the effects of literary representations of a given space. An example of the range of geocritical practices can be found in Tally's collection Geocritical Explorations: Space, Place, and Mapping in Literary and Cultural Studies.
Surviving late Roman examples of descriptiones include Ausonius's Ordo Nobilium Urbium, a fourth-century Latin poem that briefly describes thirteen cities including Milan and Bordeaux. [ 1 ] [ 3 ] Rutilius Namatianus 's De reditu suo is a longer poem dating from the early fifth century that includes a section praising Rome .
The term itself comes from the Russian xронотоп, which in turn is derived from the Greek χρόνος ('time') and τόπος ('space'); it thus can be literally translated as "time-space." Bakhtin developed the term in his 1937 essay "Forms of Time and of the Chronotope in the Novel" (« Формы времени и хронотопа ...
Some writers took the fourth dimension to be one of time, which is consistent with the physical principle that space and time are fused into a single continuum known as spacetime. Others preferred to think of the fourth dimension in spatial terms, and some associated the new mathematics with wider changes in modern culture.
Proxemics is the study of human use of space and the effects that population density has on behavior, communication, and social interaction. [1] Proxemics is one among several subcategories in the study of nonverbal communication, including haptics (touch), kinesics (body movement), vocalics (paralanguage), and chronemics (structure of time).
Personal narrative (PN) is a prose narrative relating personal experience usually told in first person; its content is nontraditional. [1] "Personal" refers to a story from one's life or experiences. "Nontraditional" refers to literature that does not fit the typical criteria of a narrative.
In 1959 M. L. Rosenthal first used the term "confessional" in a review of Robert Lowell's Life Studies entitled "Poetry as Confession". [6] Rosenthal differentiated the confessional approach from other modes of lyric poetry by way of its use of confidences that (Rosenthal said) went "beyond customary bounds of reticence or personal embarrassment". [7]