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"Cold Iron" is a poem written by Rudyard Kipling published as the introduction to Rewards and Fairies in 1910. Not to be confused with Cold Iron (The Tale). In 1983, Leslie Fish set the poem to music and recorded it as the title track on her fifth cassette-tape
Coldiron or cold iron or cold Fe may refer to: Cold iron, historically believed to repel ghosts, fairies, and other supernatural creatures "Cold Iron" (poem), a 1910 poem by Rudyard Kipling; Cold Iron, 2018; Cold ironing, the process of providing shoreside electrical power to a ship at berth "Cold Irons Bound", a 1997 song by Bob Dylan
The poem was recited by Miss Marple in the 1964 film Murder Most Foul, as her audition to join a theatrical troupe. The character of Dan McGrew was based on William Nelson McGrew (1883-1960), who was born and raised in Guinda, California to Isaac and Nellie Ophelia (Thomas) McGrew and whose nickname was "Dangerous Dan".
Eleanor Farjeon (13 February 1881 – 5 June 1965) was an English author of children's stories and plays, poetry, biography, history and satire. [1] Several of her works had illustrations by Edward Ardizzone. Some of her correspondence has also been published.
Canon, Period, and the Poetry of Charles of Orleans: Found in Translation The University of Michigan Press (30 Nov. 2000) [9] ISBN 978-0472-111466. English Printing, Verse Translation, and the Battle of the Sexes, 1476-1557 Routledge (28 Feb. 2009) ISBN 978-0754656081
SparkNotes, originally part of a website called The Spark, is a company started by Harvard students Sam Yagan, Max Krohn, Chris Coyne, and Eli Bolotin in 1999 that originally provided study guides for literature, poetry, history, film, and philosophy.
Careful analysis of the engravings in The Token and The Atlantic Souvenir gift books [171] [172] "Ambiguities" December 1829: Magazine The Yankee: Literary criticism An analysis of ambiguous and inane qualities in common speech patterns; [173] republished in "Critical Essays and Stories by John Neal" (1962) [160] [174] "Unpublished Poetry ...
The poem follows a trope in African literature of "The White Man Laughed", which embodies the notion of dismay and cynical derision of the beliefs, practices, and norms of an African. [3] However, Okara's poem can be seen to transcend the acceptance of the derision of the White Man and present a wiser African intellectual.