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19th-century French art was made in France or by French citizens during the following political regimes: Napoleon's Consulate (1799–1804) and Empire (1804–14), the Restoration (1814–30), the July Monarchy (1830–48), the Second Republic (1848–52), the Second Empire (1852–71), and the first decades of the Third Republic (1871–1940).
The Cult of the Nation in France: Inventing Nationalism, 1680-1800 (2001) emphasizes religion and the wars with England. Ben-Amos, Avner. "Monuments and Memory in French Nationalism." History and Memory 5#2 (1993), pp. 50–81. in JSTOR; Billaud, Julie and Castro, Julie. "Whores and Niqabées: The Sexual Boundaries of French Nationalism."
The following is a chronological list of artistic movements or periods in France indicating artists who are sometimes associated or grouped with those movements. See also European art history, Art history and History of Painting and Art movement.
Belle Époque dancers and singers such as Polaire, Mistinguett, Paulus, Eugénie Fougère, La Goulue and Jane Avril were Paris celebrities, some of whom modelled for Toulouse-Lautrec's iconic poster art. The Can-can dance was a popular 19th-century cabaret style that appears in Toulouse-Lautrec's posters from the era.
A map of France in 1843 under the July Monarchy. By the French Revolution, the Kingdom of France had expanded to nearly the modern territorial limits. The 19th century would complete the process by the annexation of the Duchy of Savoy and the County of Nice (first during the First Empire, and then definitively in 1860) and some small papal (like Avignon) and foreign possessions.
Francesco Monteverde (19th century) Paolo Moranda Cavazzola (1486–1522) Giorgio Morandi (1890–1964) Domenico Morani (1813–1870) Domenico Morelli (1823–1901) Moretto da Brescia (c.1498–1554) Emma Moretto (19th century) Giovan Battista Moroni (1522–1579) Tulio Moy (1856–1894) [25] Carlo Muccioli (1857–1931) Quirizio di Giovanni da ...
Romantic nationalism, resulting from this interaction between cultural production and political thought, became "the celebration of the nation (defined in its language, history and cultural character) as an inspiring ideal for artistic expression; and the instrumentalization of that expression in political consciousness-raising". [3]
The museum was opened in 1986 and has exhibits of French painting, sculpture, photography, and decorative arts of the mid and late 19th century; French academic painting and sculpture of the 19th century are by many artists "of the late Romantic and Neoclassical, Realist, Barbizon, Impressionist, Post-Impressionist, Divisionist, and Nabi schools."