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The Greek name Γαῖα (Gaia Ancient Greek: or ) is a mostly epic, collateral form of Attic Γῆ (Gē), and Doric Γᾶ (Ga), [3] perhaps identical to Δᾶ (Da), [6] both meaning "Earth". Some scholars believe that the word is of uncertain origin. [ 7 ]
Hesiod's Theogony, (c. 700 BC) which could be considered the "standard" creation myth of Greek mythology, [1] tells the story of the genesis of the gods. After invoking the Muses (II.1–116), Hesiod says the world began with the spontaneous generation of four beings: first arose Chaos (Chasm); then came Gaia (the Earth), "the ever-sure foundation of all"; "dim" Tartarus (the Underworld), in ...
Rhea or Rheia (/ ˈ r iː ə /; [1] Ancient Greek: Ῥέα or Ῥεία [r̥ěː.aː]) is a mother goddess in ancient Greek religion and mythology, the Titan daughter of the earth goddess Gaia and the sky god Uranus, himself a son of Gaia.
This is an accepted version of this page This is the latest accepted revision, reviewed on 18 February 2025. Ruler of the Titans in Greek mythology Not to be confused with Chronos, the personification of time. For other uses, see Cronus (disambiguation). Cronus Leader of the Titans Rhea offers a stone wrapped in swaddling clothes, instead of the newborn Zeus, to Cronus. Red-figure ceramic vase ...
"Hyperion" means "he that walks on high" or simply "the god above", often joined with "Helios". [5] There is a possible attestation of his name in Linear B (Mycenaean Greek) in the lacunose form ]pe-rjo-[(Linear B: ] 𐀟𐁊-[), found on the KN E 842 tablet (reconstructed [u]-pe-rjo-[ne]) [6] [7] though it has been suggested that the name actually reads "Apollo" ([a]-pe-rjo-[ne]).
Pontus was Gaia's son and has no father; according to the Greek poet Hesiod, he was born without coupling, [2] though according to Hyginus, Pontus is the son of Aether and Gaia. [ 3 ] Mythology
Color symbolism in art, literature, and anthropology is the use of color as a symbol in various cultures and in storytelling. There is great diversity in the use of colors and their associations between cultures [ 1 ] and even within the same culture in different time periods. [ 2 ]
In the cosmological model proposed by Jean Haudry, the Proto-Indo-European sky is composed of three "heavens" (diurnal, nocturnal and liminal) rotating around an axis mundi, each having its own deities, social associations and colors (white, dark and red, respectively). Deities of the diurnal sky could not transgress the domain of the nocturnal ...