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Self-Portrait (Kramskoi) Self-Portrait (Chassériau) Self-Portrait at 69 years; Self-Portrait in a Hat; Self-Portrait of the Artist with her Father; Self-Portrait with Palette (Manet) Self-Portrait with the Yellow Christ; The Spanish Singer; Portraits at the Stock Exchange; Symphony in White, No. 1: The White Girl; Symphony in White, No. 2: The ...
Furthermore, art historian Anne Higonnet argued in 2011 that the work is a self-portrait. [ 6 ] Villers exhibited Study of a young woman sitting on a window and two other works at the Salon of 1801, followed at the Salon of 1802 by a genre painting entitled A child in its cradle and A Study of a Woman from Nature . [ 7 ]
Ruth Matilda Anderson (1893 – 1983), a graduate of the Clarence H. White School of Photography, starts taking more than 14.000 documentary photographs of rural life in early 20th-century Spain for the Hispanic Society of America. Her work has found appreciation after her death in exhibitions and catalogs.
Gallery of Beauties The Nymphenburg Palace seen from its park. The Gallery of Beauties (German: Schönheitengalerie) is a collection of 38 portraits of the most beautiful women from the nobility and bourgeoisie of Munich, Germany, gathered by King Ludwig I of Bavaria in the south pavilion of his Nymphenburg Palace. [1]
Sarah Baartman (Afrikaans: [ˈsɑːra ˈbɑːrtman]; c. 1789 – 29 December 1815), also spelled Sara, sometimes in the diminutive form Saartje (Afrikaans pronunciation:), or Saartjie, and Bartman, Bartmann, was a Khoekhoe woman who was exhibited as a freak show attraction in 19th-century Europe under the name Hottentot Venus, a name that was later attributed to at least one other woman ...
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Her oil portraits were quickly sought after by congressmen, diplomats, and other wealthy individuals in the Maryland area. [11] Her portrait work is regarded as stylistically unique due to her usage of detailed furs, lace, and fabrics as well as realistic faces, skin, and hair. [2] Basket of Berries, 1860
Women artists of the early part of the 19th century include Marie-Denise Villers, who specialized in portraiture; Constance Mayer, who painted portraits and allegories; Marie Ellenrieder, who was noted mainly for her religious paintings in the Nazarene style; Louise-Adéone Drölling, who followed in the footsteps of her father and her older ...