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Aprons of the 1920s mirror the style of the times: loose and long. Often closed with a button and adorned with needlework, many aprons styles emerged during this era and stores began selling patterns and kits to make and adorn aprons at home. [1] Aprons of this period followed the silhouette of dapper fashions—long, with no waist line.
The silk 'belt' opens out at one end into a large apron which is usually heavily embroidered and with thick tassels at the bottom. The fringe and tassels of the keshō-mawashi are usually gold but may be any color except purple, which is reserved for use by yokozuna and ōzeki only. [5]
This swing short (to the waist) jacket was made of purple, blue, burgundy velvet or green, blue silk fabric. The jacket was festive clothes and struck by the beauty of patterned embroidery. Warm outerwear, in particular in Vaspurakan, was dalma, a kind of long coat made of black cloth lined. This swinging, waist-fitting and braided with braided ...
Clerical clothing is non-liturgical clothing worn exclusively by clergy.It is distinct from vestments in that it is not reserved specifically for use in the liturgy.Practices vary: clerical clothing is sometimes worn under vestments, and sometimes as the everyday clothing or street wear of a priest, minister, or other clergy member.
Many of the earlier designs are more gender-neutral and simpler in cut than later examples. Later garments incorporate multiple pieces with men commonly wearing pants and women commonly wearing skirts. Clothing for women usually accentuates the body's natural curves through wrapping of upper garment lapels or binding with sashes at the waist.
Scapular: This symbolic apron hangs from both front and back; it is worn over the tunic, and Benedictine nuns also wear it over the belt, whereas some other orders wear it tied under the belt. Cincture: The habit is often secured around the waist with a belt of leather, wool or a lanyard. The cincture of the Franciscan orders has three (or four ...
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