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An important influence that can be seen in the magazine is from the Dutch artist Theo Van Doesburg. He formulated in “Basis of the Concrete painting”, in Paris, April 1930. [5] Van Doesburg described concrete art by stating, "1) Art is universal. 2) The work of art must be conceived and entirely shaped by the spirit before its execution.
The Art of Unix Programming: 2003: 2005 [5] book about the history and culture of Unix programming by Eric S. Raymond (with added proviso) CC BY-ND 1.0 [6] A Briefer History of Time: 1999: 2004 [7] science humor book by Eric Schulman: CC BY-ND-NC 1.0: Archimedes Palimpsest: 3rd century BC: 2008: reconstructed and released by OPenn as Free ...
The artist was an "artist-in-residence" in the early days of Milton Keynes and part of her role was to lead community participation in art. The Cows was one of a number of pieces created during her stay. [3] Other examples of her work here include The Owl and The Pussy Cat at Netherfield and a concrete mural near the leisure centre at Stantonbury.
Op art, short for optical art, is a style of visual art that uses optical illusions. [1] Op artworks are abstract, with many better-known pieces created in black and white. Typically, they give the viewer the impression of movement, hidden images, flashing and vibrating patterns, or swelling or warping.
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Concrete art was an art movement with a strong emphasis on geometrical abstraction. The term was first formulated by Theo van Doesburg and was then used by him in 1930 to define the difference between his vision of art and that of other abstract artists of the time.