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The third section contains the Tovar calendar, which records a continuous Aztec calendar with months, weeks, days, dominical letters, and church festivals of a Christian 365-day year. In this illustration, from the third section, an old and emaciated man holds a banner decorated with blue stripes and pennants.
Portrait of Tenochtitlan is a render of Tenochtitlan and the Valley of Mexico at the start of the 16th century by Dutch programmer Thomas Kole using 3D computer graphics. [1] Drone photograpy by Mexican geomatic engineer Andrés Semo was used to compare the past with present-day Mexico City .
The Chīmalli or Aztec shield (Nahuatl pronunciation: [t͡ʃiːˈmalːi] ⓘ; "shield") was the traditional defensive armament of the indigenous states of Mesoamerica. These shields varied in design and purpose.
An Aztec sculpture of Xiuhcoatl from Texcoco, now in the British Museum [1]. In Aztec religion, Xiuhcōātl [ʃiʍˈkoːaːt͡ɬ] was a mythological serpent, regarded as the spirit form of Xiuhtecuhtli, the Aztec fire deity sometimes represented as an atlatl or a weapon wielded by Huitzilopochtli.
The Aztecs [a] (/ ˈ æ z t ɛ k s / AZ-teks) were a Mesoamerican civilization that flourished in central Mexico in the post-classic period from 1300 to 1521. The Aztec people included different ethnic groups of central Mexico, particularly those groups who spoke the Nahuatl language and who dominated large parts of Mesoamerica from the 14th to the 16th centuries.
Chicōmōztōc ([t͡ʃikoːˈmoːs̻toːk]) is the name for the mythical origin place of the Aztec Mexicas, Tepanecs, Acolhuas, and other Nahuatl-speaking peoples (or Nahuas) of Mesoamerica, in the Postclassic period. The term Chicomoztoc derives from Nahuatl chicome (“seven”), oztotl (“cave”), and -c (“place”). In symbolic terms ...
In Aztec mythology, the Thirteen Heavens were formed out of Cipactli's head when the gods made creation out of its body, whereas Tlaltícpac, the earth, was made from its center and the nine levels of the underworld from its tail.
The Nahui Ollin is a fundamental concept in Aztec/Mexica cosmology, a guide for everyday life and decisions. The objective is to constantly strive for balance, even when there is struggle. The Nahui Ollin uses cultural concepts representing community, knowledge, education, will power, transformation, and most importantly, self-reflection .