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"Serengeti" is a song by the Danish dance-pop duo Infernal. It was released as the lead single from their second studio album, Waiting for Daylight, in 2000. Track ...
The album features Nocando, Busdriver, and Serengeti. [12] His second album, Rappers Will Die of Natural Causes, was released on Hellfyre Club in 2011. [13] It features vocal contributions from P.O.S and MC Paul Barman. [14] [15] In 2012, he released an album, 4nml Hsptl, on Fake Four Inc. [16] It is entirely produced by Awkward. [17]
Brett Uddenberg of URB gave the album 5 out of 5 stars, saying: "Bleak and beautiful, Family & Friends is an absolute beast." [10] Quentin B. Huff of PopMatters gave the album 8 out of 10 stars, calling it "Serengeti's most accessible and straightforward record." [7] Spin placed it at number 39 on the "40 Best Rap Albums of 2011" list. [11]
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[5] [6] The name is inspired in part by the art of Jim Hodges, whose work is featured on the cover of their self-titled debut full-length album, which was released on March 18, 2014. [4] Stevens says the "gold and metallic boulders Jim made were an obvious influence on our name change"—a reference to four steel-clad boulders installed at the ...
The duo released their second collaborative album, Terradactyl, in 2009. [6] In 2011, Serengeti released his solo album, Family & Friends, which was produced by Yoni Wolf and Owen Ashworth. [7] Serengeti is a member of Sisyphus along with Son Lux and Sufjan Stevens. The trio released Beak & Claw in 2012 [8] and a self-titled album in 2014. [9]
No One's Gonna Change Our World is a charity album released in the United Kingdom on 12 December 1969 for the benefit of the World Wildlife Fund. [1]The compilation, assembled by comedian Spike Milligan, includes two tracks from Milligan and one from his Goon Show castmate Harry Secombe, and features liner notes by Philip, Duke of Edinburgh.
[13] Jonah Bromwich of Pitchfork gave the album a 7.6 out of 10, saying, "C.A.R. is an excellent, devastating record, a chronicle of the amiable pessimism and occasional nihilism of a rapping Bukowski who can't seem to find a way out of the condition in which he finds himself."