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Three films, The Exorcism of Emily Rose (which focuses on both the court case and the exorcism), Requiem, and Anneliese: The Exorcist Tapes, are loosely based on Michel's story. [8] First Issue, the debut album by post-punk band Public Image Ltd, contains a song titled "Annalisa" that is based on the case. [30]
The Exorcism of Emily Rose was released theatrically on September 9, 2005, by Sony Pictures Releasing's Screen Gems. The film earned a profit, grossing $145.2 million at the worldwide box office against a budget of $19 million. It received mixed reviews from critics, but won Best Horror Film at the 32nd Saturn Awards.
Emily Rose may refer to: Emily Rose (actress) (born 1981), American television actress/voice actress The Exorcism of Emily Rose , a 2005 supernatural horror crime film about demonic possession, loosely based on the story of Annelise Michel (1952–1976)
Two motion pictures, The Exorcism of Emily Rose and Requiem, are loosely based on Anneliese's story. The documentary movie Exorcism of Anneliese Michel [87] (in Polish, with English subtitles) features the original audio tapes from the exorcism.
It has spawned successful pieces of claptrap, like “The Exorcism of Emily Rose” (2005), whose opening-weekend gross of $30 million in the dead zone of early September was more shocking than ...
The priest who led this exorcism was Fr. Theophilus Riesinger. 1949 — Roland Doe was allegedly possessed and underwent an exorcism. The events later inspired the novel and film The Exorcist. 1975–1976 — Anneliese Michel was a woman from Germany who underwent 67 exorcisms, which inspired the films The Exorcism of Emily Rose and Requiem. In ...
Like most possession-fueled horrors that purport to be based on real-life events—think The Conjuring and The Exorcism of Emily Rose—The Deliverance takes significant liberties with the facts ...
Her book, The Exorcism of Anneliese Michel, was the inspiration for the film The Exorcism of Emily Rose. [ 2 ] A biography of Goodman in comic book form ( Pueblo Spirits: in the life of Felicitas D. Goodman ) was published by her daughter, Susan G. Josephson in 2014.
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