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Passaggio (Italian pronunciation: [pasˈsaddʒo]) is a term used in classical singing to describe the transition area between the vocal registers. The passaggi (plural) of the voice lie between the different vocal registers, such as the chest voice , where any singer can produce a powerful sound, the middle voice, and the head voice , where a ...
The following table shows the 24 consonant phonemes found in most dialects of English, plus /x/, whose distribution is more limited. Fortis consonants are always voiceless, aspirated in syllable onset (except in clusters beginning with /s/ or /ʃ/), and sometimes also glottalized to an extent in syllable coda (most likely to occur with /t/, see T-glottalization), while lenis consonants are ...
Phonetic singing is singing by learning and performing the lyrics of a song by the words' phonetic sounds, ... (IPA) can help a singer with the pronunciation of words.
The alveolar pronunciation [r ~ ɾ] continues to be considered acceptable in all Standard German varieties, but is most common in the south as well as the far North of German-speaking Europe. It also remains prevailing in classical singing and, to a lesser degree, in stage acting (see Bühnendeutsch).
Traditionally in Received Pronunciation, "hard attack" was seen as a way to emphasize a word. Today, in British, American and other varieties of English, it is increasingly used not only to emphasize but also simply to separate two words, especially when the first word ends in a glottal stop.
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In phonetics, palatalization (/ ˌ p æ l ə t ə l aɪ ˈ z eɪ ʃ ən / ⓘ, US also /-l ɪ-/) or palatization is a way of pronouncing a consonant in which part of the tongue is moved close to the hard palate.
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