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For the Barcelona Pavilion, that methodology spawned, among other furnishings, the Barcelona chair, a lounge seat that’s endured as a design icon for almost a century.
The Barcelona chair is a chair designed by Ludwig Mies van der Rohe and Lilly Reich, [1] [2] for the German Pavilion at the International Exposition of 1929, hosted by Barcelona, Catalonia, Spain. The chair was first used in Villa Tugendhat , a private residence, designed by Mies in Brno ( Czech Republic ).
Following the production of the tulip chair, the tulip table was designed by Saarinen. In 1953, the company was accorded exclusive manufacturing and sales rights to Ludwig Mies van der Rohe furniture, including the Barcelona chair, which was designed in collaboration with Lilly Reich for the 1929 Barcelona Pavilion.
The oldest known depiction of dining chairs is a seventh-century BCE bas-relief of an Assyrian king and queen on very high chairs. [20] Diamond Lounge Chair, designed by Harry Bertoia for Knoll; Director's chair, [21] a lightweight chair that folds side-to-side with a scissors action. The seat and back are made of canvas or a similar strong ...
The Tugendhat chair (model number MR70) is a modernist cantilever chair designed by Ludwig Mies van der Rohe in collaboration with Lilly Reich 1929–1930 for the Tugendhat House in Brno, Czechoslovakia. In appearance, the Tugendhat chair is somewhat of a hybrid of van der Rohe and Reich's 1929 Barcelona chair and 1929–1930 Brno chair.
The north wall of the delegates' lounge, facing the East River, is made of glass. [86] [87] [88] The lounge contained modern-style furniture such as Ludwig Mies van der Rohe's Barcelona chairs and Florence Knoll's club chairs, [89] and the plants in the room were selected based on whether they could survive wind drafts and tobacco smoke. [45]
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