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Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (known simply and more commonly as Dr. Strangelove) is a 1964 political satire black comedy film co-written, produced, and directed by Stanley Kubrick. It is loosely based on the thriller novel Red Alert (1958) by Peter George, who wrote the screenplay with Kubrick and Terry ...
The CRM 114 on the B-52 in Dr. Strangelove. The CRM 114 Discriminator is a fictional piece of radio equipment in Stanley Kubrick's film Dr. Strangelove (1964), the destruction of which prevents the crew of a B-52 from receiving the recall code that would stop them from dropping their hydrogen bomb payloads onto Soviet territory.
Johnson released albums of his band playing music from The Avengers, The New Avengers and The Professionals, albums of his scores for The First Men in the Moon, Dr Strangelove and Captain Kronos, and two albums of him conducting compositions of others: the film music of Dmitri Tiomkin, and Bernard Herrmann's suite for North by Northwest.
Stanley Kubrick’s 1964 political satire film “Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb,” is being adapted as a stage production for London’s West End by “Veep ...
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb: Yes Yes Yes Based on Red Alert by Peter George; Co-adapted with Terry Southern and Peter George [47] 1968 2001: A Space Odyssey: Yes Yes Yes Co-written with Arthur C. Clarke; Also director and designer of special photographic effects [19] [48] [49] [50] 1971 A Clockwork ...
Dr. Strangelove (or Stanley Kubrick's Dr. Strangelove) is a play based on the 1964 film of the same name by Stanley Kubrick, adapted for the stage by Armando Iannucci and Sean Foley. Production history
Stanley Kubrick's masterpiece of nuclear black comedy, 'Dr. Strangelove,' premiered 60 years ago Monday. It feels as fresh and horrifying today as it did then.
Hall concluded; "Full Metal Jacket ranks with Dr. Strangelove as one of Kubrick's very best." [105] Jonathan Rosenbaum of the Chicago Reader called it "Elliptical, full of subtle inner rhymes ... and profoundly moving, this is the most tightly crafted Kubrick film since Dr. Strangelove, as well as the most horrific."