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This is a love poem, or the closest approximation permitted by Stevens's sensibility and the indirection of his style, which renders his poems' semantics more or less opaque and often requires an unusually complex syntax. It may be compared to "Le Monocle de Mon Oncle", which can be understood to be about the travails of Stevens's marriage. If ...
Instead, the poem draws on an older story, repeated in Milton's History of Britain, that Joseph of Arimathea, alone, travelled to preach to the ancient Britons after the death of Jesus. [4] The poem's theme is linked to the Book of Revelation (3:12 and 21:2) describing a Second Coming, wherein Jesus establishes a New Jerusalem.
Shelley and the Thought of His Time: A Study in the History of Ideas. New Haven, CT: Yale University Press, 1947. Bloom, Harold. The Visionary Company: A Reading of English Romantic Poetry. Ithaca: Cornell University Press, 1993. Hall, Spencer. "Power and the Poet: Religious Mythmaking in Shelley's 'Hymn to Intellectual Beauty'."
Ancient Eastern hymns include the Egyptian Great Hymn to the Aten, composed by Pharaoh Akhenaten; [6] the Hurrian Hymn to Nikkal; [7] the Rigveda, an Indian collection of Vedic hymns; [8] hymns from the Classic of Poetry (Shijing), a collection of Chinese poems from 11th to 7th centuries BC; [9] the Gathas—Avestan hymns believed to have been composed by Zoroaster; [10] and the Biblical Book ...
"How Sweet the Name of Jesus Sounds" is a hymn by the evangelical Anglican cleric John Newton. It was published in Olney Hymns in 1779. [1] Of a metaphorical nature, it focuses on the power of the name of Jesus. [2] It is often sung to the tune of Saint Peter by Alexander Reinagle and less frequently to Ortonville by Thomas Hastings. [3]
During 1802, Coleridge wrote the poem Hymn Before Sunrise, which he based on his translation of a poem by Brun.However, Coleridge told William Southeby another story about what inspired him to write the poem [1] in a 10 September 1802 letter: "I involuntarily poured forth a Hymn in the manner of the Psalms, tho' afterwards I thought the Ideas &c disproportionate to our humble mountains ...
Longfellow wrote the poem shortly after completing lectures on German writer Johann Wolfgang von Goethe and was heavily inspired by him. He was also inspired to write it by a heartfelt conversation he had with friend and fellow professor at Harvard University Cornelius Conway Felton; the two had spent an evening "talking of matters, which lie near one's soul:–and how to bear one's self ...
Endymion is a poem by John Keats first published in 1818 by Taylor and Hessey of Fleet Street in London. John Keats dedicated this poem to the late poet Thomas Chatterton. The poem begins with the line "A thing of beauty is a joy for ever". Endymion is written in rhyming couplets in iambic pentameter (also known as heroic couplets).