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They represent the best known and most interpreted blues songs that are seen as standing the test of time. [2] Blues standards come from different eras and styles, including ragtime-vaudeville, Delta blues, country blues, and urban blues from Chicago and the West Coast. [3] Many blues songs were developed in American folk music traditions and ...
Blues musicians are musical artists who are primarily recognized as writing, performing, and recording blues music. [1] They come from different eras and include styles such as ragtime - vaudeville , Delta and country blues , and urban styles from Chicago and the West Coast . [ 2 ]
Called "a brooding, minor-hued drone piece", [6] "Rollin' Stone" is a mid- to slow-tempo blues notated in 4/4 time in the key of E major. [7] Although the instrumental section uses the IV and V chords, the vocal sections remain on the I chord, [7] giving the song a modal quality often found in Delta blues songs. In addition to the traditional ...
Billie's Blues; Black and Blue (Chain song) Black Angel Blues; Black Night (Charles Brown song) Bleeding Heart (song) Blue Light Boogie (song) Blue on Black; Blue Shadows; Blue yodel; Blue Yodel No. 1 (T for Texas) Blues After Hours; Blues Jumped the Rabbit; Blues with a Feeling; Talkin' World War III Blues; Boll Weevil (song) Bon Ton Roula ...
His song "Stone Crazy" was ranked 78th in the Rolling Stone list of the "100 Greatest Guitar Songs of All Time". [3] Clapton once described him as "the best guitar player alive". [4] In 1999, Guy wrote the book Damn Right I've Got the Blues, with Donald Wilcock. [5] His autobiography, When I Left Home: My Story, was published in 2012. [6]
Along with tracks from the first three albums, Briefcase Full of Blues, The Blues Brothers: Music from the Soundtrack and Made in America, it includes unreleased live versions of "Everybody Needs Somebody to Love", "Rubber Biscuit", and a new song, "Expressway to Your Heart". The album was remixed by Steve Jordan and Donald “Duck” Dunn.
However, blues rock soon distinguished itself from hard rock and acts continued to play or rewrite blues standards, as well as write their own songs in the same idiom. In the 1980s and 1990s, blues rock was more roots-oriented than in the 1960s and 1970s, even when artists such as the Fabulous Thunderbirds and Stevie Ray Vaughan flirted with ...
"All Your Love" is a moderate-tempo minor-key twelve-bar blues with Afro-Cuban rhythmic influences. An impromptu song "apparently dashed off ... in the car en route to Cobra's West Roosevelt Road studios", [2] it borrows guitar lines and the arrangement from "Lucky Lou", a 1957 instrumental single by blues guitarist Jody Williams. [3]
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