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The amount of space required to store PCM depends on the number of bits per sample, the number of samples per second, and the number of channels. For CD audio, this is 44,100 samples per second, 16 bits per sample, and 2 channels for stereo audio leading to 1,411,200 bits per second. However, this space can be greatly reduced using audio ...
The white square in the center of the diagram depicts the low-frequency speaker. Each black square depicts a loudspeaker. The center speaker in the top line of the diagram is used for dialogue. The left and right speakers on either side of the center speaker are used to create stereo sound for music and other sound effects in the film.
In addition, the user would need an FM stereo tuner, to upgrade any tape recorder to a stereo model, and to have their phonograph fitted with a stereo cartridge. In the early days, it was not clear whether consumers would think the sound was so much better as to be worth twice the price.
A major breakthrough in practical stereo sound was made by Bell Laboratories, who in 1937 demonstrated a practical system of two-channel stereo, using dual optical sound tracks on film. [28] Major movie studios quickly developed three-track and four-track sound systems, and the first stereo sound recording for a commercial film was made by Judy ...
Dolby Stereo (also known as Stereo A): original analog optical technology developed for 35 mm prints and is encoded with four sound channels: Left/Center/Right (which are located behind the screen) and Surround (which is heard over speakers on the sides and rear of the theatre) for ambient sound and special effects. This technology also employs ...
MPEG Surround coding uses our capacity to perceive sound in the 3D and captures that perception in a compact set of parameters. Spatial perception is primarily attributed to three parameters, or cues, describing how humans localize sound in the horizontal plane: Interaural level difference (ILD), Interaural time difference (ITD) and Interaural coherence (IC).
Stereo amplifiers imply two channels of output (left and right), though the term simply means "solid" sound (referring to three-dimensional)—so quadraphonic stereo was used for amplifiers with four channels. 5.1 and 7.1 systems refer to Home theatre systems with 5 or 7 normal spatial channels, plus a subwoofer channel.
The 'Music' category is merely a guideline on commercialized uses of a particular format, not a technical assessment of its capabilities. For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint.