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[9] Marina Antunes on RowThree.com said, "What begins as a look at the art of the sword on film quickly transforms into a history lesson on the loss, the find and the eventual re-emergence and rise of traditional western martial arts, an art form that had been lost for centuries." Adding it is "an informative, engaging and entertaining ...
Blade of the 47 Ronin is a 2022 American action fantasy film directed by Ron Yuan and written by John Swetnam, Aimee Garcia, and AJ Mendez, and is a sequel to 47 Ronin (2013).
Unseen Blade (the Unseen) the leader of the Eight Kings uses deception and distraction to confuse his opponents along with a collapsible sword whose blade can extend during battle and also has a hidden hook. One-Arm uses his skill in close range combat and left handed sword fighting to get inside Unseen's range and slice off his sword arm.
Chanbara (チャンバラ), also commonly spelled "chambara", meaning "sword fighting" films, [1] denotes the Japanese film genre called samurai cinema in English and is roughly equivalent to Western and swashbuckler films. Chanbara is a sub-category of jidaigeki, which equates to period drama.
He further claimed ""in order to get those in the movie, using the character of Manji was absolutely instrumental." [16] He said that he personally selected Kimura, "a superstar who made the transition from the Showa era to the Heisei era," as "the world's strongest member of the Miike Gang, the Ittō-ryū fighting school of our film industry ...
Hellish Quart is an early access [1] sword fighting video game by Polish developer Kubold. The game features duels of two sword wielding players or NPCs who fight until the opposing player or enemy is severely injured or killed. [2] [3] The sword fighters are from 17th century Europe and the game uses 3D scans of authentic Eastern European ...
The One-Armed Swordsman is a 1967 Hong Kong wuxia film produced by the Shaw Brothers Studio. [2] Directed by Chang Cheh, it was the first of the new style of wuxia films emphasizing male anti-heroes, violent swordplay and heavy bloodletting.
The sword fight sequences were choreographed by Ryû Kuze, a veteran Japanese swordmaster who had previously worked with Toshiro Mifune on Yojimbo and Sanjuro. This was the final film of actress Miiko Taka , who worked as Mifune's interpreter.