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Mirwais Ahmadzaï (born 23 October 1960), known mononymously as Mirwais, is a French electronic dance music record producer and songwriter, born in Lausanne, Switzerland to an Afghan father and an Italian mother.
The Afghan concept of music is closely associated with instruments, and thus unaccompanied religious singing is not considered music. Koran recitation is an important kind of unaccompanied religious performance, as is the ecstatic Zikr ritual of the Sufis which uses songs called na't, and the Shi'a solo and group singing styles like mursia, manqasat, nowheh and rowzeh.
Mirwais is a first name of Pashto origin. Notable people with the name include: Mirwais Ahmadzaï (born 1960), known as Mirwais, Paris-based record producer and songwriter; Mirwais Azizi founder and owner of Azizi Bank; Mirwais Ashraf (born 1980), member of the Afghanistan national cricket team; Mirwais Hotak (1673-1715), Emir of Afghanistan
In the two years that Mirwais worked on his second album, "Naïve Song" was one of the last songs he has composed and included on Production. Several remixes were released to promote the song including remixes from Dave Clarke, Les Rhythmes Digitales, and Olav Basoski. The song reached number two on the US Club dance chart on April 14, 2001. [1]
A few years after the Taliban were ousted in 2001, and with Afghanistan still in ruins, Ahmad Sarmast left his home in Melbourne, Australia, on a mission: to revive music in the country of his birth.
Y.A.S. (pronounced "yas") is an electronic music duo, formed in 2007 in Paris, France, and consists of Mirwais Ahmadzaï (keyboard/guitar) and Yasmine Hamdan . [1] The duo began recording their debut album, Arabology, in 2007. Ahmadzaï wanted to create an electronic music album that had an Arab identity.
Afghan musicians, Herat 1973 The classical music of Afghanistan is called klasik , which includes both instrumental ( rāgas , naghmehs ) and vocal forms ( ghazals ). [ 1 ] Many ustad , or professional musicians, are descended from Indian artists who emigrated to the royal court in Kabul in the 1860s upon the invitation of Amir Sher Ali Khan .
Classical Afghan music often features this instrument as a key component. Elsewhere it is known as the Kabuli rebab in contrast to the Seni rebab of India. [3] In appearance, the Kabuli rubab looks slightly different from the Indian rubab. [7] It is the ancestor of the north Indian sarod, although unlike the sarod, it is fretted. [8]
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