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Slow jams with quiet storm elements continued to be produced through the 2000s and 2010s. [4] Quiet storm songs are a mix of genres, including pop, contemporary R&B, smooth soul, smooth jazz and jazz fusion – songs having an easy-flowing and romantic character. The format first appeared in 1976 but initially it drew from songs recorded earlier.
"It's Gonna Be Me" is a song by American boy band NSYNC. It was released through Jive Records, as the second single from their third studio album No Strings Attached (2000) in the United States, and as the third single from the international edition of No Strings Attached.
"Slow Down" is the 11th single by English R&B band Loose Ends from their third studio album, Zagora. It was released in September 1986 by MCA Records and produced by Loose Ends' longtime collaborator Nick Martinelli. The single was the group's second and last number one on the Soul Singles chart. [2]
Chopped and screwed (also called screwed and chopped or slowed and throwed) is a music genre and technique of remixing music that involves slowing down the tempo and DJing. It was developed in the Houston , Texas, hip hop scene in the early 1990s by DJ Screw .
The S.O.S. Band (sometimes written as S.O.S. Band; abbreviation for Sounds of Success) is an American R&B and electro-funk group who gained fame in the 1980s. They are best known for the songs " Take Your Time (Do It Right) ", " Just Be Good to Me ", and " The Finest ".
NOW 80s is a British free-to-air music television channel, focusing exclusively on playing music from the 1980s. The channel launched in its current form on 27 December 2016, initially as a temporary pop-up rebrand of Now Music, previously a contemporary pop channel. The 80s format was subsequently made permanent.
Taylor Swift knows the way through heartache all too well. The "Cruel Summer" songstress is now chronicling the unmistakable stages of heartbreak with fivespecially curated playlists for Apple Music.
Olivia Newton-John's song "Physical" was the Billboard Hot 100's longest running number one of the decade.. Reflecting on changes in the music industry during the 1980s, Robert Christgau later wrote in Christgau's Record Guide: The '80s (1990):