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Relational art or relational aesthetics is a mode or tendency in fine art practice originally observed and highlighted by French art critic Nicolas Bourriaud.Bourriaud defined the approach as "a set of artistic practices which take as their theoretical and practical point of departure the whole of human relations and their social context, rather than an independent and private space."
Writing in Frieze art magazine, Carl Freedman said, "Traffic and Bourriaud’s concept of ‘relationality’ were just too unspecific to be capable of defining a new art, especially when so many of the works did little to support the exhibition’s premise. This was an ambitiously funded exhibition which was only able to provide the viewer ...
In 2015, Bourriaud was appointed director of the La Panacée art centre (a.k.a. MO.CO.PANACÉE) and the director of the Contemporary Art Center of Montpellier, France (aka MO.CO.); [9] In 2018, he joined a group of arts professionals — among them the artists Christian Boltanski and Jean-Luc Moulène – in signing an open letter published by the newspaper Libération, calling on the city of ...
Claire Bishop is a British art historian, critic, and Presidential Professor of Art History at CUNY Graduate Center, New York where she has taught since September 2008. [1] [2] Bishop is known as one of the central theorists of participation in visual art and performance.
Altermodern, a blend word defined by Nicolas Bourriaud, is an attempt at contextualizing art made in today's global context as a reaction against standardisation and commercialism. It is also the title of the Tate Britain 's fourth Triennial exhibition curated by Bourriaud.
The Restitution of African Cultural Heritage. Toward a New Relational Ethics (in French: Rapport sur la restitution du patrimoine culturel africain.Vers une nouvelle éthique relationnelle) is a report written by Senegalese academic and writer Felwine Sarr and French art historian Bénédicte Savoy, first published online in November 2018 in a French original version and an authorised English ...
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From 1999 until 2006, Jérôme Sans was the co-founder and director of the Palais de Tokyo (Center for Contemporary Creation) in Paris, France, alongside Nicolas Bourriaud. This institution became one of the most important art centers in Europe, significantly contributing to the international visibility of many French artists.