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The "Type" column is color-coded, with a green font indicating poems for or about friends, a magenta font marking his famous poems about his Lesbia, and a red font indicating invective poems. The "Addressee(s)" column cites the person to whom Catullus addresses the poem, which ranges from friends, enemies, targets of political satire, and even ...
It has been noted that in poems 2 to 26 the opening of the line is nearly [108] always a spondee (– –), as in the above two examples, but in poems 27 to 60, as well as in poem 1, Catullus often begins a line with an iamb (ᴗ –), or a trochee (– ᴗ). This suggests that Catullus changed his practice as he continued to write his poems ...
Catullus's poems have been preserved in an anthology of 116 carmina (the actual number of poems may slightly vary in various editions), which can be divided into three parts according to their form: approximately sixty short poems in varying meters, called polymetra, nine longer poems, and forty-eight epigrams in elegiac couplets. Each of these ...
Catullus 64 is an epyllion or "little epic" poem written by Latin poet Catullus. Catullus' longest poem, it retains his famed linguistic witticisms while employing an appropriately epic tone. Catullus' longest poem, it retains his famed linguistic witticisms while employing an appropriately epic tone.
Cenabis bene, mi Fabulle, apud me is the first line, sometimes used as a title, of Carmen 13 from the collected poems of the 1st-century BC Latin poet Catullus. The poem belongs to the literary genre of mock-invitation. [ 1 ]
A poem about an aging ship. Catullus 4 is a poem by the ancient Roman writer Catullus. The poem concerns the retirement of a well-traveled ship (referred to as a "phaselus", also sometimes cited as "phasellus", a variant spelling). Catullus draws a strong analogy with human aging, rendering the boat as a person that flies and speaks, with palms ...
Twitter user Ronnie Joyce came across the poem above on the wall of a bar in London, England. While at first the text seems dreary and depressing, the poem actually has a really beautiful message.
In the early 20th century the first studies specifically devoted to the concept of the epyllion were undertaken, with Leumann's work on Hellenistic epyllia, Jackson's study of the possible Roman examples, and Crump's attempt at a diachronic study of the epyllion as a single genre whose history could be traced from the Greek poems of the ...