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4 time, this dance music spread to other countries, leaving behind what Ed Morales has called the "most popular lyric tradition in Latin America." [5] The Cuban bolero tradition originated in Santiago de Cuba in the last quarter of the 19th century; [6] it does not owe its origin to the Spanish music and song of the same name. In the 19th ...
Zapateado is a style of dance and traditional music of Andalusian origins in metre 6 8, with lively movement, marked on two beats, the second being very stressed. The dance shows a gracious tapping. Humanists of 16th century affirmed that zapateado derived from the lactisma of the Roman dancers in times of the Empire.
Zapateo, which later produced the more famous Malambos dance, arrived in South America from Spain around the year 1600 CE and was a favorite pastime of the gaucho (descendants of Spanish conquistadores and aborigines) also known as the "South American cowboys", especially around the camp fires in the lonely stretches of the flatlands, known as ...
In Spain, music has a long history. It has played an important role in the development of Western music, and has greatly influenced Latin American music. Spanish music is often associated with traditional styles such as flamenco and classical guitar. While these forms of music are common, there are many different traditional musical and dance ...
Bolero is a Spanish dance in 3/4 time popular in the late 18th and early 19th centuries. It originated from the seguidilla sometime between 1750 and 1772, [2] and it became very popular in Madrid, La Mancha, Andalusia and Murcia in the 1780s.
The zapateado is a group of dance styles of Mexico, characterized by a lively rhythm punctuated by the striking of the dancer's shoes, akin to tap dance. The name derives from the Spanish word zapato for "shoe": zapatear means to strike with a shoe. It is widely used in sones, huapangos and chilenas.
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Several pop songs have referenced the Twist among several other songs, sometimes calling on listeners/dancers to change their dance step when the singer calls out the name of a different dance. "Do You Love Me" – The Contours (1962). Covered by The Dave Clark Five (1964) and many others. "Land of a Thousand Dances" – Chris Kenner (1963).