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Stippling is the creation of a pattern simulating varying degrees of solidity or shading by using small dots. Such a pattern may occur in nature and these effects are frequently emulated by artists. Such a pattern may occur in nature and these effects are frequently emulated by artists.
Giulio Campagnola, The Astrologer, c. 1509, with areas such as the dark foreground, the man's bald head, and the tree trunks created by a burin stippling technique. An example of the mastery of coloured stipple engraving by Francesco Bartolozzi (1727–1815) Cupid Binding Aglaia to a Laurel, detail, after Angelica Kauffmann (1741–1807)
The origin of Hàng Trống painting dates back to the 16th century during the reign of the Lê dynasty.Different from the countryside Đông Hồ, the manufacturing area of Hang Trong painting is located in the Tiêu Túc (later changed to Thuận Mỹ) district in the very heart of Hanoi which is now the quarter between Hàng Trống, Hàng Nón, Hàng Hòm and Hàng Quạt streets.
' script for decrees ', 令書) in Việt Sử Toát Yếu ('Vietnamese History and Compendium', 越史撮要) because of its initial bureaucratic characteristic. [4] Cursive Vietnamese. In modern times, calligraphy has been done frequently in the Latin-based Vietnamese alphabet, as chữ Nôm and chữ Hán have largely fallen out of use. [5]
The scholar Nguyễn Bỉnh Khiêm (aka Trang Trình, 1491–1585) was said to have used a Hòn non bộ to provide guidance while predicting the fate or destiny of others. [ 8 ] Hòn non bộ , as well as miniature plants and rocks, are mentioned in Đoạn Trường Tân Thanh , a thousand-page book by Nguyễn Du (1766–1820). [ 9 ]
An experimental Wikipedia edition in the obsolete chữ Nôm script began in October 2006 at the Wikimedia Incubator. [6] It was deleted in April 2010. [7] [non-primary source needed] The Vietnam Wikimedians User Group supports the development of the Vietnamese Wikipedia and other Vietnamese-language Wikimedia projects.
Đám cưới chuột (Rat's wedding), a popular example of Đông Hồ painting. Ðông Hồ painting (Vietnamese: Tranh Đông Hồ or Tranh làng Hồ), full name Đông Hồ folk woodcut painting (Tranh khắc gỗ dân gian Đông Hồ) is a line of Vietnamese folk painting originating in Đông Hồ village (Song Hồ commune, Thuận Thành District, Bắc Ninh Province).
The áo giao lĩnh was influenced from Han Chinese clothing. [1] It is a robe with a wrap collar closing on the right side. The wrap collar closing on the right side is known as jiaoling youren (Chinese: 交領右衽; lit. 'intersecting collar right lapel') in China; garments with this form of wrap collar originated in China and started to be worn at least since the Shang dynasty (c. 1600 BC ...