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Kashyap Samhitā (Devanagari कश्यप संहिता, also Kashyapa, Kasyap, Kasyapa), also known as Vriddha Jivakiya Tantra is a treatise on Ayurveda attributed to the sage Kashyapa. The text is often named as one of the earliest treatises on Indian medicine, alongside works like the Sushruta Samhita , Charaka Samhita , Bhela ...
A treatise on music, it is quoted by Shaivism and Advaita scholar Abhinavagupta, wherein he cites sage Kasyapa explanation on viniyoga of each rasa and bhava. Another Hindu music scholar named Hrdanyangama mentions Kashyapa's contributions to the theory of alankara (musical note decorations).
Kassapa, Kashyapa, or Kasyapa may refer to: Kassapa Buddha, also known as Kāśyapa Buddha, an ancient Buddha; Kashyapa I of Anuradhapura (r. 473–495), king of Sri Lanka; Kashyapa or Kāśyapa, a Vedic Hindu sage Kashyapa Samhita, Ayurveda treatise attributed to him; Kashyap (caste), a caste in India; Kashyap (surname), an Indian surname
Kaṇāda (Sanskrit: कणाद, IAST: Kaṇāda), also known as Ulūka, Kashyapa, Kaṇabhaksha, Kaṇabhuj [1] [2] was an ancient Indian natural scientist and philosopher who founded the Vaisheshika school of Indian philosophy that also represents the earliest Indian physics.
Matanga, Kasyapa, Ch'an, Chu, Blofeld, John (1977). The Sutra of Forty-Two Sections, Singapur: Nanyang Buddhist Culture Service. OCLC; The Buddhist Text Translation Society (1974). The Sutra in Forty-two Sections Spoken by the Buddha. Lectures by the Venerable Master Hsuan Hua given at Gold Mountain Monastery, San Francisco, California, in 1974.
Samhita is a Sanskrit word from the prefix sam (सम्), 'together', and hita (हित), the past participle of the verbal root dhā (धा) 'put'. [4] [5] The combination word thus means "put together, joined, compose, arrangement, place together, union", something that agrees or conforms to a principle such as dharma or in accordance with justice, and "connected with". [1]
This Hindu legend has roots in the Vedic literature such as Taittariya Samhita and Shatapatha Brahmana, and is found in many post-Vedic texts. [10] [11] These legends depict the earth goddess (Bhumi or Prithvi) in an existential crisis, where neither she nor the life she supports can survive. She is drowning and overwhelmed in the cosmic ocean.
Hayashirsha Samhita: rituals and deities [13] Padma Samhita: Panchakala practices for the devotee, festivals and mantras [30] [13] Paushkara Samhita: iconography and worship, believed to be a gem along with Satvata Samhita [13] [34] Maha Sanatkumara Samhita: a large text on religious practice [13] Isvara Samhita: meditation, worship and rituals ...