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Pierrot had loose white clothing, with a large matching collar. He painted his face white instead of wearing a mask. [4] Pedrolino's costume was essentially like Pierrot's—white, big buttons, short hat, and white face—but it was way too big for him, and the sleeves covered his hands, to emphasize that Pedrolino was a little person in hand ...
The character is played, in all three “Terrifier” movies, by David Howard Thornton, an actor who disappears into his costume: white make-up and hook nose and bald clown head cover, black ...
A Clown's Christmas (1900), was written by Fernand Beissier, one of the founders of the Cercle Funambulesque. [63] (Monti would go on to acquire his own fame by celebrating another spiritual outsider much akin to Pierrot—the Gypsy. His Csárdás [c. 1904], like Pagliacci, has found a secure place in the standard musical repertoire).
Les Rossyann, white clown and clumsy Auguste from France. The white clown, or clown blanc in French, is a sophisticated character, as opposed to the clumsy Auguste. [25] [26] The two types are also distinguished as the sad clown (blanc) and happy clown (Auguste). [27] The Auguste face base makeup color is a variation of pink, red, or tan rather ...
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The whiteface (or white clown) is the oldest of the clown archetypes. In modern times, when whitefaces perform with other clowns, they usually function as the leader of the group. Whiteface clowns use "clown white" makeup to cover their entire face and neck, with none of the underlying flesh colour showing.
She wears a black dress and a black felt pointed hat. SM Witch – with a pink face, teeth in her moving mouth, a coloured apron, black dress and pointed hat. SM Clown – wears a one-piece clown suit (sometimes with contrasting sides), has a pink face and coloured fur hair with a felt conical hat of bright colour.
Evil clown themes were occasionally found in popular music. Zal Cleminson, guitarist with the English rock band The Sensational Alex Harvey Band, wore black and white clown-style makeup and colorful clothes while on stage during the band's 1970s heyday, while his "happy-sad-happy" demeanor helped give their performances an edge of menace. [6]
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