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Johanna "Jannie" van Eyck-Vos (19 January 1936 – 16 June 2020) [1] was a Dutch track and field athlete. She competed at the 1964 Summer Olympics in the 800 m event but failed to reach the final despite setting a personal record.
Doltcini–Van Eyck–Proximus is a Belgian UCI Women's Continental Team formed in 2016, which competes in elite women's road bicycle racing events, such as the UCI Women's World Tour. [ 1 ] [ 2 ] Team roster
Emiel Planckaert (born 22 October 1996) is a Belgian road cyclist, who rides for Belgian amateur team Decock–Van Eyck–Van Mossel Devos–Capoen. [3] He previously rode professionally between 2017 and 2020 for the Lotto–Soudal and Sport Vlaanderen–Baloise teams, [4] before retiring from professional racing at the end of the 2020 season, planning to continue to compete as an amateur.
65.7 cm x 49.6 cm Portrait of Giovanni di Nicolao Arnolfini: 1438 Gemäldegalerie, Berlin 29 cm x 20 cm Madonna in the Church: c. 1438-40 Gemäldegalerie, Berlin 31 cm x 14 cm Portrait of Margaret van Eyck: 1439 Groeningemuseum, Bruges 41.2 cm x 34.6 cm Madonna at the Fountain: 1439 Royal Museum of Fine Arts Antwerp: 19 cm x 12 cm
Family members included: Hubert van Eyck (1380s – 1426), Jan van Eyck (c.1390 – 1441), their brother Lambert van Eyck, and sister Margareta van Eyck, Jan's wife, also Margaretha (1405/06 – aft.1441), and probably Barthélemy d'Eyck (c.1420 – aft.1470) from the next generation. Jan van Eyck, active in Bruges, is probably the best known ...
The Arnolfini Portrait, oil on oak, 1434. National Gallery, London. Jan van Eyck (/ v æ n ˈ aɪ k / van EYEK; Dutch: [ˈjɑɱ vɑn ˈɛik]; c. before 1390 – 9 July 1441) was a Flemish painter active in Bruges who was one of the early innovators of what became known as Early Netherlandish painting, and one of the most significant representatives of Early Northern Renaissance art.
Van Eyck's superb oil painting technique is evident throughout. Gold leaf is only used for the seven rays coming in from the left; paint is used for all the gold on Gabriel, often worked wet-on-wet to achieve the textural effects of his brocaded clothes. In a shadowy area behind the stool van Eyck worked a glaze with his fingers. [23]
[20] Johannes de eyck fuit hic 1434 (Jan van Eyck was here. 1434). Jan Baptist Bedaux agrees somewhat with Panofsky that this is a marriage contract portrait in his 1986 article "The reality of symbols: the question of disguised symbolism in Jan van Eyck's Arnolfini Portrait."