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The Charites had been worshipped as goddesses in Greece since the beginning of Greek history, long before Aphrodite was introduced to the pantheon. [112] Aphrodite's other set of attendants was the three Horae (the "Hours"), [ 112 ] whom Hesiod identifies as the daughters of Zeus and Themis and names as Eunomia ("Good Order"), Dike ("Justice ...
The Aphrodite of Rhodes (Greek: Αφροδίτη της Ρόδου) also known as the Crouching Venus of Rhodes is a marble sculpture of the Greek goddess Aphrodite housed in the Archaeological Museum of Rhodes in Rhodes, Greece. It depicts Aphrodite in the crouching Venus pose, where the goddess crouches her right knee close to the ground and ...
The Aphrodite Rhithymnia (Ancient Greek: Ἀφροδίτη Ῥιθυμνία, romanized: Aphrodítē Rhithumnía, lit. 'Aphrodite of Rhithymna'), also known as Aphrodite of Lappa (Greek: Αφροδίτη της Λάππας), is a Roman statue of the first century AD found at the site of ancient Lappa, in modern-day Argyroupoli, western Crete, Greece.
Venus Urania (Christian Griepenkerl, 1878) Statue of the so-called 'Aphrodite on a tortoise', 430–420 BCE, Athens [a]Aphrodite Urania (Ancient Greek: Ἀφροδίτη Οὐρανία, romanized: Aphrodítē Ouranía, Latinized as Venus Urania) was an epithet of the Greek goddess Aphrodite, signifying a "heavenly" or "spiritual" aspect descended from the sky-god Ouranos to distinguish her ...
The Legend of Aphroditian is a part of New Testament apocrypha, stories of New Testament figures that did not become canonized. The oldest extant manuscripts are written in the Koine Greek language, and pre-modern translations into other languages such as Slavonic exist.
Aphrodite's connection to the sea is well-documented, and originates in Hesiod's Theogony, where he refers to her as the "foam-born goddess." [ 4 ] During the festival it was not permitted to make bloody sacrifices, since the altar could not be polluted with the blood of the sacrifice victims, which were usually white male goats.
The site of Paphos was a holy place for the ancient Greeks, who believed it to be the place where Aphrodite landed when she rose from the sea. [2] According to Pausanias (i. 14), her worship was introduced to Paphos from Syria, and from Paphos to Kythera in Greece. The cult was likely of Phoenician origin. Archaeology has established that ...
Aphrodite's winged little son Eros, the god of romantic love, is similarly trying to assist his mother fight off her assaulter by grasping Pan's right horn and pushing him away. [ 1 ] [ 3 ] Pan leans on a tree trunk (the statue's marble support) covered with animal's skin, and has left his hunting stick at the foot of the trunk. [ 1 ]