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Rautavaara in the 1950s. This is a list of compositions by Einojuhani Rautavaara.Rautavaara stopped using opus numbers for his new compositions during the 1970s. In addition, he revised several of his compositions many years after they were originally composed.
Chôros No. 2 for flute and clarinet; Chôros No. 7 for flute, oboe, clarinet, alto saxophone, bassoon, violin and cello with tam-tam ad lib; Quinteto (em forma de chôros) for flute, oboe, cor anglais, clarinet and bassoon; Carl Maria von Weber: Trio for Piano, Flute and Cello in G minor, Op. 63, J. 259 (1818-19)
Gary Schocker (born October 18, 1959) is an American flutist, composer, and pianist who has performed with the New York Philharmonic (at age 15, in a nationally televised Young People's Concert), the Philadelphia Orchestra, the New Jersey Symphony, the Dallas Symphony, the West German Sinfonia, and I Solisti Italiani.
Of these, the bamboo chi is the oldest documented transverse flute. [7] [8] Musicologist Curt Sachs called the cross flute (Sanskrit: vāṃśī) "the outstanding wind instrument of ancient India", and said that religious artwork depicting "celestial music" instruments was linked to music with an "aristocratic character". [9]
The sonata for cello and piano, L. 135, was written in 1915, and is notable for its brevity, most performances not exceeding 11 minutes. It is a staple of the modern cello repertoire and is commonly regarded as one of the finest masterpieces written for the instrument.
The bass flute is an octave lower than the concert flute, and the contrabass flute is an octave lower than the bass flute. Less commonly seen flutes include the treble flute in G, pitched one octave higher than the alto flute; soprano flute, between the treble and concert; and tenor flute or flûte d'amour in B ♭ , A or A ♭ [ citation ...
Fillmore was born in Cincinnati, Ohio as the eldest of five children. In his youth. he mastered piano, guitar, violin, flute, and slide trombone.He kept his trombone activities a secret at first, as his circumspect religious father James Henry Fillmore (1849–1936)—a composer of gospel songs, often in collaboration with Jessie Brown Pounds [1] —believed it an uncouth and sinful instrument.
It was originally written for flute and piano, but Chaminade later arranged it for flute and orchestra. The piece remains a standard and popular part of the flute repertoire. [1] For example, it was voted #85 in a 2012 survey of the best French classical music by the Australian radio station ABC Classic FM. It also remains one of Chaminade's ...
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