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The meaning of the epithet "Lyceus" later became associated with Apollo's mother Leto, who was the patron goddess of Lycia (Λυκία) and who was identified with the wolf (λύκος). [ 31 ] Phanaeus ( / f ə ˈ n iː ə s / fə- NEE -əs ; Φαναῖος , Phanaios ), literally "giving or bringing light"
Apollo with a radiant halo in a Roman floor mosaic (late 2nd century, El Djem, Tunisia) The halo represents an aura or the glow of sanctity which was conventionally drawn encircling the head. It first appeared in the culture of Hellenistic Greece and Rome , possibly related to the Zoroastrian hvarena – "glory" or "divine lustre" – which ...
The oracle of Apollo at Eutresis [30] and the oracle of Apollo at Tegyra. [31] Oracle of Aphrodite at Paphos. [32] There were many "oracles of the dead", such as in Argolis, Cumae, Herakleia in Pontos, in the Temple of Poseidon in Taenaron, but the most important was the Necromanteion of Acheron.
The name Pythia is derived from "pythia hiereia" (Greek: πυθία ἱέρεια), meaning ' priestess of the Pythian Apollo '; it is related to Pythios (Πύθιος), an epithet of Apollo, itself deriving from Pytho, which in myth was the original name of Delphi. [13]
Apollo and Daphne. Apollo, the patron of sport, is associated with the wearing of a laurel wreath. [3] This association arose from the ancient Greek mythology story of Apollo and Daphne. Apollo mocked the god of love, Eros (Cupid), for his use of bow and arrow, since Apollo is also patron of archery. The insulted Eros then prepared two arrows ...
In doing so, Apollo took the form of a dolphin, boarded the ship, and the sailors were awed into fearful submission to the deity. [55] A divine wind guided the ship across the sea and to Crissa, where Apollo revealed himself to the sailors, commanded them to worship him, and guided them to Delphi where he promptly put them in charge of the ...
A new comedy about faking the first moon landing touches raw nerves in a nation where trust in public institutions is rapidly eroding.
The cicada is an animal replete with symbolism: recurring themes are resurrection, immortality, spiritual realization and spiritual ecstasy. For the Ancient Greeks and Romans they sang ecstatically, were sacred to Apollo and related to the dionysiac bacchae and maenads .