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The didactic cinquain is closely related to the Crapsey cinquain. It is an informal cinquain widely taught in elementary schools and has been featured in, and popularized by, children's media resources, including Junie B. Jones and PBS Kids. This form is also embraced by young adults and older poets for its expressive simplicity.
A lanterne is a cinquain form of poetry, in which the first line has one syllable and each subsequent line increases in length by one syllable, except for the final line that concludes the poem with one syllable. Its name derives from the lantern shape that appears when the poem is aligned to the center of the page.
Quintain (poetry) 6 languages. Deutsch; Español; Français; ... Examples include the tanka, the cinquain, the quintilla, Shakespeare's Sonnet 99, and the limerick.
This template should always be substituted (i.e., use {}). Any accidental transclusions will be automatically substituted by a bot. Any accidental transclusions will be automatically substituted by a bot.
Adds a block quotation. Template parameters [Edit template data] Parameter Description Type Status text text 1 quote The text to quote Content required char char The character being quoted Example Alice Content suggested sign sign 2 cite author The person being quoted Example Lewis Carroll Content suggested title title 3 The title of the poem being quoted Example Jabberwocky Content suggested ...
Cadence (poetry) Cantiga de amor; Cantigas de escárnio e maldizer; Canto; Carmen (verse) Chant royal; Cinquain; City Lament; Clerihew; Cobla esparsa; Conversation poem; Copla (poetry) Couplet; Cumulative song; Cumulative tale
However, do not remove the article-for-deletion template from the top of the article. I've posted this notice here as it may be of interest to editors of this article because, according to Quintain (poetry), cinquain is a type of quintain. --gråb whåt you cån 17:04, 8 June 2011 (UTC)
A rondeau (French:; plural: rondeaux) is a form of medieval and Renaissance French poetry, as well as the corresponding musical chanson form. Together with the ballade and the virelai it was considered one of three formes fixes, and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries.