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In poetry cadence describes the rhythmic pacing of language to a resolution [2] and was a new idea in 1915 [3] used to describe the subtle rise and fall in the natural flow and pause of ordinary speech [4] where the strong and weak beats of speech fall into a natural order [5] restoring the audible quality to poetry as a spoken art. [6]
A harmonic cadence is a progression of two or more chords that concludes a phrase, section, or piece of music. [3] A rhythmic cadence is a characteristic rhythmic pattern that indicates the end of a phrase. [4] A cadence can be labeled "weak" or "strong" depending on the impression of finality it gives.
In music, a cadenza, (from Italian: cadenza [kaˈdɛntsa], meaning cadence; plural, cadenze [kaˈdɛntse]) is, generically, an improvised or written-out ornamental passage played or sung by a soloist(s), usually in a "free" rhythmic style, and often allowing virtuosic display.
Allusion: a brief, intentional reference to a historical, mythic, or literary person, place, event, or movement; in other words, a figure of speech using indirect reference." [1] Anacrusis: brief introduction. Anaphora: the repetition of a word or words at the beginning of successive phrases, clauses, or lines to give emphasis. [1]
Period built of two five-bar phrases in Haydn's Feldpartita in B ♭, Hob. II:12. [1] Diagram of a period consisting of two phrases [2] [3] [4]. In music theory, a phrase (Greek: φράση) is a unit of musical meter that has a complete musical sense of its own, [5] built from figures, motifs, and cells, and combining to form melodies, periods and larger sections.
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A phrase is a substantial musical thought, which ends with a musical punctuation called a cadence. Phrases are created in music through an interaction of melody, harmony, and rhythm. [3] Giuseppe Cambini—a composer, violinist, and music teacher of the Classical period—had this to say about bowed string instruments, specifically violin ...
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