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Turkish or Ottoman illumination refers to non-figurative painted or drawn decorative art found in manuscripts or on sheets in muraqqa. [1] In Turkish it is called “tezhip”, [2] meaning “ornamenting with gold”. The Classical Islamic style of manuscript illumination combines techniques from Turkish, Persian, and Arabic traditions.
Found in the Topkapi Palace in Istanbul, the administrative center of the Ottoman Empire, and believed to date from the late 15th century, the scroll shows a succession of two- and three-dimensional geometric patterns. There is no text, but there is a grid pattern and color-coding used to highlight symmetries and distinguish three-dimensional ...
Ottoman miniature and Ottoman illumination cover the figurative and non-figurative elements of the decoration of manuscripts, which tend to be treated as distinct genres, though often united in the same manuscript and page. [11] The reign of the Ottomans in the 16th and early 17th centuries introduced the Turkish form of Islamic calligraphy.
The Ottomans also did not continue the Seljuk tradition of constructing monumental stone portals covered in ornamentation. [118] Lastly, as the classical Ottoman style took form, large solid walls that were common in more traditional structures were superseded by highly articulated structures with many elements joined as part of a more complex ...
Empire of the Sultans: Ottoman Art of the Khalili Collection was a 1995–2004 touring exhibition displaying objects from the Khalili Collection of Islamic Art. Around two hundred exhibits, including calligraphy, textiles, pottery, weapons, and metalwork, illustrated the art and daily life of six centuries of the Ottoman Empire .
The field is divided by scholars into four types, Arabic, Persian, Mughal (Indian), Ottoman (Turkish). [ 1 ] [ 2 ] As in the art history of Europe, "miniature" is generally reserved for images including people, with abstract or geometrical decorative schemes on the pages of books called "illumination".
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Contoured marli dish decorated with a large composite flower, Iznik, Ottoman Turkey, circa 1550–1560, Lyon Museum of Fine Arts The Islamic parts of Southeast Asia , modern Indonesia and Malaysia , were export markets that were close at hand for the Chinese and later the Japanese, helped by the European trading companies, especially the Dutch ...
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