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Kierkegaard does not merely talk about self-reliance; his entire literary art is devoted to the promotion of self-reliance." [38] Jean-Paul Sartre vehemently disagreed with Kierkegaard's subjective ideas. He was Hegelian and had no room in his system for faith. Kierkegaard seemed to rely on faith at the expense of the intellect.
For Hamann it is also, and precisely, the world which God enters, but for Kierkegaard the place of this event is solely the individual, who in the decision of his faith, effected by grace, rises above the world, with which the “humorist” [in this case Hamann] continues to identify the “idea of God.” Kierkegaard, in other words, reaches ...
One of the work’s core themes is that attempting to understand Abraham through rational ethical thinking (Silentio mentions Greek philosophy and Hegel) leads to the reductio ad absurdum conclusion that (a) there must be something that transcends this type of thinking or (b) there is no such thing as “faith,” which would mean Abraham’s characterization as the “father of the faith ...
Kierkegaard posited three stages of human existence: the aesthetic, the ethical, and the religious, the latter coming after what is often called the leap of faith. [citation needed] Kierkegaard argued that the universe is fundamentally paradoxical, and that its greatest paradox is the transcendent union of God and humans in the person of Jesus ...
So Kierkegaard says to leave it all to God. [citation needed] A recent way to interpret Either/Or is to read it as an applied Kantian text. Scholars for this interpretation include Alasdair MacIntyre [62] and Ronald M. Green. [63] In After Virtue, MacIntyre claims Kierkegaard is continuing the Enlightenment project set forward by Hume and Kant ...
The subtitle is A Recollection Related by William Afham. Paul Sponheim says in his introduction to Lowrie's translation that Afham means Byhim in Danish. The book is divided rather sharply into sections, this first being the equivalent of the first part of Either/Or and is equivalent with religiousness A. "Religiousness A is the dialectic of inward deepening; it is the relation to an eternal ...
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Many of Kierkegaard's earlier writings from 1843 to 1846 were written pseudonymously. In the non-pseudonymous The Point of View of My Work as an Author, he explained that the pseudonymous works are written from perspectives which are not his own: while Kierkegaard himself was a religious author, the pseudonymous authors wrote from points of view that were aesthetic or speculative.