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Gregorian chant setting for Kyrie XI notated in neumes.. The Kyriale is a collection of Gregorian chant settings for the Ordinary of the Mass.It contains eighteen Masses (each consisting of the Kyrie, Gloria [excluded from Masses intended for weekdays/ferias and Sundays in Advent and Lent], Sanctus, and Agnus Dei), six Credos, and several ad libitum chants.
A traditional Requiem Mass. In Roman Catholicism, the practice of Gregorian Masses is an ancient tradition in which it is believed that a continuous series of thirty consecutive Masses said in thirty days for the soul of a deceased person will release them from the punishments of Purgatory.
Blair Sanderson suggests that a seminary in the Spanish city of Logroño invited the monks to record a vinyl album of chant in order to popularize it among churchgoers, and that most of the music was recorded around 1980, while there is a greater proportion of music recorded in the 1970s in the follow-up album Chant II.
Theodore Marier and Dom Joseph Gajard in 1965. Theodore Norbert Marier (October 17, 1912 – February 24, 2001) was a church musician, educator, arranger and scholar of Gregorian Chant.
Messe de Nostre Dame (Mass of Our Lady) is a polyphonic mass composed before 1365 by French poet and composer Guillaume de Machaut (c. 1300–1377). Widely regarded as one of the masterpieces of medieval music and of all religious music, it is historically notable as the earliest complete setting of the Ordinary of the Mass attributable to a ...
A plagal mode (from Greek πλάγιος 'oblique, sideways, athwart') [7] [8] has a range that includes the octave from the fourth below the final to the fifth above. The plagal modes are the even-numbered modes 2, 4, 6 and 8, and each takes its name from the corresponding odd-numbered authentic mode with the addition of the prefix "hypo-": Hypodorian, Hypophrygian, Hypolydian, and ...
"Viderunt omnes" is a Gregorian chant based on Psalm XCVIII (98), sung as the gradual [1] at the Masses of Christmas Day and historically on its octave, the Feast of the Circumcision. Two of the many settings of the text are famous as being among the earliest pieces of polyphony by known composers, Léonin and Pérotin of the Notre Dame school.
This Mass, which was clearly meant for concert, rather than liturgical performance, is the only one of Bruckner's Masses in which the first lines of the Gloria and of the Credo are set to music. The composition of the Mass in F minor may have been influenced by Schubert's late Mass No. 5 in A-flat major and Mass No. 6 in E-flat major. [19]
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